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Hi Terminator, thanks for that! I am downloading the pdf right now. Looking forward to reading this greatly. Seasons greetings and Xmas wishes in return! best, Steve
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You're very welcome Steve....... If at any time the link expires, Please notify me and I will upload another one......Best
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Wow, what an incredible labor of love. I can't wait to read through this. Thanks so much for offering this.
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Thank you Jeff. You're Very Welcome.
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I did not see the link to the book that you are referring to. I am interested in the book if you can show me the link?
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The Terminator wrote:Her's a tid bit to think about for those that want to challenge. I welcome the learning curve. Maybe I'm wrong ? But Theory is taught that Any Major can have a Neapolitan as in ; A flat Major's Neapolitan is A. Or C major's is Db. this is printed in all the University Books I'm gathering. I think this is wrong. Any Major cannot have a Neapolitan other than its own Harmonies. Which are the Median & the Sub-median for any Major. Are these hand downs passed through the ages that no one Questions ? Are these hand downs Mistakes because of music notation ? Or just Trusting the Teacher ? Mozart also have used the Neapolitan from the Major wrongly as it was handed to him. But very Quickly and most likely only once or twice. Because he could hear its wrong. And look what he has done. The Riddle Master himself. Just shows what one can do, if just handed down the information to use. You do not have to understand it. Just follow orders. Any Stinkers out there ? I mean Thinkers. Sorry. I need to Diet !
....Best Reagrds....... Beatles did it too! in 'Things we said today'.
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The Terminator wrote:A special link will be sent to you on this last day of the year Gabriel..... Happy Holidays.... Welcome to VSL Oh, Lordy, how I would like to see this. Please, please, send this to me as well. I do a lot of this kind of work...(classical improv, that is)---Clark Clark
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Hi Clark
Long time....! You must be busy. Good to hear from you. I'll send you a ink...Best !
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Hi all, I'm pretty new to this forum and the whole VSL-world. Is it still possible to get a copy of this?
All the best! =)
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The Terminator wrote:Hi Clark
Long time....! You must be busy. Good to hear from you. I'll send you a ink...Best ! Hey, thanks! I have been busy, just not with music, sadly. My website will be up in a couple of months, though, and my new "products" are right along these lines (but in no way competitive with your book).---Clark Clark
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Thanks a lot! I'm happiliy looking forward to your wonderful read. All the best,
Heiko =)
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The Terminator wrote:Did we ever settle in why the 12 Bar blues is in F ? And not in Bb ?... I've always learned something when nocking heads with you in the past. Constructive Criticism is always welcomed. I've actually seen quite a lot of blues heads in Bb, but F is definitely the more popular key. I believe this is because these keys transpose to easy keys for Bb and Eb instruments (trumpet, tenor and alto sax--the main horns used for jazz). It's rare you'll see any classic instrumental jazz tunes in sharp keys for this very reason. Looking forward to gleaning your insights from the book. Thanks! Clark Clark
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Hi I am new to the forum. Can I get a link to the free book? Thanks and Happy new year
Daniel
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I'm a terrific classical nerd (in the correct 'classical' meaning) and this sounds very very interest. May I also get a copy of the link? Thank you very much, *Rob.
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