Maybe we're lucky and in the end all the instruments will pretend they won the poll. Then we'd get all of them. :D

You're a wizzard, Harry!

Would you may happen to wish for some other products too? I'd need them by next week. :D

Thanks for explaining. :)

Yah I was just boosting the low frequencies because I had the feeling that in the Synchron Strings Samples (Epic Orchestra 2) in this range there was a much longer reverb (when you deactivate the algorithmic reverb) than in the higher frequencies. But I was testing it with dimension strings which appearently haven't that deep frequencies in the samples. I wanted the Room Response to feel a little more like the one from SYS. Just trying around. :)

Thank you, Dietz. I am trying things myself all the time. Then such crazy ideas like freaking around with the room EQ come around. :D

speaking (writing) of learning: So when I change something in the room EQ I basically create a new room?

I am sorry, I was formulating that wrong. I meant that lower frequencies will react different than higher frequencies or let's say different wavelenghts in general. My bad. :)

Of course I know what MIR PRO is doing and that it is doing without a doubt a fantastic job. ^_^

Edit: But appearently you were right anyway. I was testing a bit more and I hear the different frequencies in different venues. I feel stupit now. :P

Hello Dietz,

yes, I am boosting the low and high mid frequencies in the Room Equalizer, but I set the Dry/Wet Ratio to -50%. I also could leave the low and low mid frequencies as they are and bring the whole rest down but that way I have a bigger scale to work on. Also I have on top a Master Equalizer to bring the low freqs down a bit. The Room Equalizer setting is just good to make the room react in a special way to the sound. In reality different frequencies are reflected different.

Good example in my opinion would be when you put your head in a cardboard box (or an Isovox booth if you have one - it should be very narrow) and sing different high tones. The Sound will come back in different ways. And as far as I can tell MIR PRO doesn't do that by itself. But please correct me if I am wrong. :) 

Sry, I had to dig this thread out.

I am getting good results with the "Stereo - Virtual ORTF + Center" Microphone on the Side Wall Position and Dry/Wet Offset on - 50%.

But when I experimented with the Synchron Strings from Epic Orchestra I realized that the reverb from the room (that is of course within the samples because it was recorded in the room) is much louder in the deep frequenzies than on the rest of the spectrum. At least it appeared to me. So I set up a Room Equalizer (which equalizes only the wet signal of MIR PRO) to match what I heard in SyStrings. Of course on top there is some other equalizing in the mixer but in my oppinion the Room EQ makes a big difference to the sound and the feeling of the room and is a good way to shape it more realistically. Unfortunately I haven't seen the Room EQ for synchronized Instruments.

My Room Equalizer is set to
LowShelf (Gain 18, Freq 86, Q 0.71), Peak (Gain 17.82, Frqu 4.12k, Q 0.6), HighShelf (Gain -18, Freq 2.68, Q 0.22).

I am still testing yet but maybe this helps anyone to find the right roomsound.

Hey Stefan,

it would be good to know which instrument you are talking about. I just inspected the patches from flute 1 and found the legato-sustain under "Resources -> Perf Speed Variation". (I don't know why it lives right there. Maybe it wanted to be special.)
As for the other instruments I THINK it is in the usual suspect section in "perf interval". At least those I checked.
I hope that helps :)

Best,
Pierre

Hi Nessein,

you can use the Dynamic Range Scaler. In VI and VI Pro it is located in advanced view on the performance tab and labeled DynR. Set it to maximum and you can x-fade your velocity to zero.

I hope this is what you needed.

Regards,
Pierre

Hi there,

I just experienced this problem with the CC0 Controller. When Cubase is sending any CC0 change through VEpro to a VIpro Instance, then the cubase window isn't in focus anymore but the VEpro Window (like you would click on the VEpro Window). If you click back to Cubase the shortcuts work. At least that is my case. Can anyone confirm that?

I already have set up all my expression maps using CC0, so I hope for a fix soon.

best regards

Edit:
Okay, I fooled around a bit and found out that apparently the reason for it was the midi dump. When it is set to "off" it actually reacts to CC0. I set it to CC127 for now so I can work again.