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Telemann Canonic Sonata No. 1
Last post Wed, Apr 17 2019 by PaoloT, 10 replies.
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Posted on Mon, Apr 15 2019 01:44
by Leslie Sanford
Joined on Mon, Jan 06 2014, Posts 43

This is a realization of Georg Philipp Telemann's Canonic Sonata No. 1 using Solo Violin 1 & 2.

Canonic Sonata No. 1

Posted on Mon, Apr 15 2019 10:09
by bbelius
Joined on Sat, Mar 14 2015, Posts 250

Hi Leslie,

very well done, enjoyed listening to it! Thanks for sharing.

I would like to know, did you use any other post-procesing besides reverb and which reverb did you use?

Best, Ben

Posted on Mon, Apr 15 2019 11:02
by Leslie Sanford
Joined on Mon, Jan 06 2014, Posts 43

Originally Posted by: bbelius Go to Quoted Post
I would like to know, did you use any other post-procesing besides reverb and which reverb did you use?

Hi Ben, thanks for your comment.

There's not much post-processing going on. Violin 1 is panned slightly to the left and Violin 2 is panned slightly to the right. The reverb is VI-Pro's built-in algorithmic reverb. There's nothing beyond that, no eq, compression, etc.

I did do a lot of MIDI editing of velocity and note lengths.

Posted on Mon, Apr 15 2019 11:50
by bbelius
Joined on Sat, Mar 14 2015, Posts 250

That's impressive! Thank you for the insight.

Posted on Tue, Apr 16 2019 00:38
by William
Joined on Sun, Nov 24 2002, USA, Posts 5284

That sounds great, the interplay between the violins is very distinct and the legato after the crisp attacks very natural.  

Posted on Tue, Apr 16 2019 17:18
by fatis12_24918
Joined on Sat, Dec 16 2006, Posts 246

 

Very nice phrasing, pretty convincing. I think this is the music style the library is more effective on (a bit less with expressive/romantic style), and you managed it pretty well.

Posted on Tue, Apr 16 2019 21:49
by Itchy
Joined on Sat, Feb 18 2017, Posts 3
This brings me out of lurking-mode! Sounds like the articulations are well-done, imo! We recorder players are so fortunate that our instrument is one of the several Telemann was proficient on, and a master at writing for! ...This is standard repertoire for recorder players. We take more advantage of agogic accent (“time taking”), and, subtlety of articulation is a real shining point when performed well. Unless treating it strictly as a pedagogical exercise, maybe try adding some dynamics & maybe tweak/ elasticize the tempo once or twice (?)
Would you please share how many hours it took for you to program/ implement the editing?
Posted on Wed, Apr 17 2019 06:27
by jasensmith
Joined on Tue, Jan 15 2008, Arizona, Posts 1449
Wow! Nice job.

I can't agree more to what's been already said but, overall, a fun and lively recording that sounds so natural.

"If at first you don't succeed, try, try again. Then quit. There's no point in being a damn fool about it."
- W.C. Fields
Posted on Wed, Apr 17 2019 11:20
by Leslie Sanford
Joined on Mon, Jan 06 2014, Posts 43

Originally Posted by: Itchy Go to Quoted Post
We take more advantage of agogic accent (“time taking”), and, subtlety of articulation is a real shining point when performed well. Unless treating it strictly as a pedagogical exercise, maybe try adding some dynamics & maybe tweak/ elasticize the tempo once or twice (?)

Hi, thank you for your reply, and thank you for your suggestions. I'm working on another movement from one of Telemann's Canonic Sonatas. I will attempt to apply more dynamic and tempo changes to make it more expressive.

Originally Posted by: Itchy Go to Quoted Post
Would you please share how many hours it took for you to program/ implement the editing?

I'm not sure. There's the tedious part of entering the notes into Finale. But the real work is done once I've imported the MIDI data into Reaper and begin tweaking it and assigning articulations. I would say six hours or so. I made extensive use of Sequence maps, which sped up the process and encouraged experimentation until I found the right articulation for each note.

Posted on Wed, Apr 17 2019 14:01
by PaoloT
Joined on Tue, Dec 27 2016, Posts 365

Beautiful, and incredibly realistic!

Paolo

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