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Synchron Player and MIRx?
Last post Thu, Jun 20 2019 by fatis12_24918, 5 replies.
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Posted on Tue, Jun 18 2019 18:08
by hrausch
Joined on Mon, Apr 24 2017, Posts 2

I just switched to Synchronized SE and I like the new interface much better than VI.

However I did not find a way to use the MIRx Roompacks in Synchron Player as it was possible in VI.

Did I miss something?

Regards Harald

Posted on Tue, Jun 18 2019 18:50
by stan-k
Joined on Tue, Jun 24 2014, Posts 42

Synchron Player does not support MIRx.

Stan K
Posted on Tue, Jun 18 2019 20:19
by hrausch
Joined on Mon, Apr 24 2017, Posts 2

So, the decission is to use Synchron Player OR VI + MIRx :(

Posted on Wed, Jun 19 2019 01:50
by DaddyO
Joined on Tue, May 22 2012, Washington (US State), Posts 344

Originally Posted by: hrausch Go to Quoted Post

So, the decission is to use Synchron Player OR VI + MIRx :(

The Synchron Player libraries are recorded specifically in the VSL-owned Synchron stage. That's the whole purpose of the Synchron Player, although I suppose at some point in the future it's conceivable that the player design could be adapted for use with other venues.

So yes, the decision is Synchron Player OR VI (Pro) with MIRx.

VSL Std Edition Core WW, Brass, Percussion
VSL Spec Editions Complete
VE Pro 7, VI Pro, MIR Pro
Windows 10 Home
Dorico 3.5, Cubase 9.5
Posted on Thu, Jun 20 2019 12:37
by fatis12_24918
Joined on Sat, Dec 16 2006, Posts 269

 

Well, Synchron player has an embedded MIRx for the Synchron stage venue only, enabling the Synchron-ized libraries edition, like your Synchron SE.

(And so as DaddyO said, in the future it should be pretty easy for VSL to add more venues to the Synchron Player engine, but it sounds a bit out of scope for the project, at least today).

Due to the fact the embedded convolution of Synchron stage can be disabled by the user, the 3rd option is Synchron(-ized) player + MIR Pro.

Of course processing pristine Synchron libraries (like Strings, percussion and pianos) with MIR Pro is less effective because all the samples, including close mics, are pretty wet compared to VI libraries silent stage dry samples.

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