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  • Good Time Cello Orchestra (Dimension cellos demo)

    Here is a lighter disney-esque demo for cello orchestra and harp. 

    [url=http://guybacos.com/audio/Good%20Time%20Cello%20Orchestra.mp3]Good Time Cello Orchestra[/url]

    Cello Library: Dimension Cellos


  • Very interesting composition, those pizzicato samples are great!


  • Thanks icecubeman! Friend of Mr Freeze?

    Added another demo. This one, again just cellos + percussion.

    [url=http://guybacos.com/audio/Venturesome%20Cello%20Road.mp3]Venturous Cello Road[/url]


  • Hi Guy,

    Thanks for posting 'Venturous Cello Road' .  

    It sounds SUPERB !

    Great piece of writing for cello, it also showcases many styles of playing, and articulations of Dim-Cellos.  Really enjoyed this demo. 

    Very well done.

    Muziksculp  


  • Great demo Guy!  These cellos really rock! And I mean that in a literal sense.  This piece has a sense of powerful expression that we could use more of in sample compositions.

    Thanks for sharing these inspiring examples.


  • Hi Guy, I would say, by far, (IMHO) "Venturous Cello Road" is the "Best" demo of the "Dimension cellos"... To listen to it I closed my eyes and I was in your journey, I particularly loved the 2.30mn passage. Thanks for this. Wish you a good day of Music. f.

  • Thanks guys! 

    ps After writing Venturous Cello Road, I didn't think it was good and decided to make another demo instead which was "Good Time Cello Orchestra", so it came very close to ending in the trash, but then I did a little revision on it and went ahead on submitting it as a demo.


  • Hi Guy, This is the "magic" of Music, you give it life, and you don't really realize it's potential ; you need the eyes (ears) of others to appreciate it. Thanks for your excellent work, you help us to discover the infinite power of VSL...

  • Excellent!

    Very fresh and exciting. What impresses me is that these pieces sound like real compositions full of genuine feeling.

    Best

    Pekay


  • PaulP Paul moved this topic from Orchestration & Composition on