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  • The King`s Entry - Short orchestral piece

    Hi all,

    "The King's Entry Into Jerusalem"

    This piece was produced with Chamber Strings, Mute Trumpet (Brass I - extended) Flute (Woodwinds I - extended) and some additional instruments from the Standard Edition.

    https://soundcloud.com/stefan-telser-1/the-kings-entry-into-jerusalem

    Editing and mixing was done in Cubase 7.0.

    I'd be grateful for any comments (no matter if you like it or not).

    Thanks

    Stefan


  • Hi Stefan,

    I enjoyed it [:)]

    Only comment from me would be to consider allowing your brass player from about 0.22s onwards some pauses for breath.


  • Thanks Stephen!

    Very good observation about the brass players breath.

    Stefan


  • Only comment from me would be to consider allowing your brass player from about 0.22s onwards some pauses for breath....???

     


  • Yes, I very much like the slow processional sound that basically builds into a march as the piece progresses, and I think you handle the solo instruments at the beginning nicely. 

    My only critiques would be that the strings at 0.22 come in a little sharply for me, and might do better with a softer attack (or maybe a little more focus on reverb?). They also sound a little choppy around 0.43, maybe in need of thickening?

     

    That's just my two cents. Great stuff!


  • Thanks so much for listening and your comments!

    I still feel that I'm very much concerned with just handling the software properly instead of getting the music right. I work with Sibelius and Cubase both of which are rather complex. Not to mention to pick the right samples in VSL.

    I bought myself Professional Orchetsraton from Peter Alexander Lawrence and try to midi mockup as many of his examples as possible with VSL. I find his coverage of the various instuments and their ranges quite helpful.

    As I said this is primarily just to finally get a grip of the software involved. Takes a lot of time, thought.

    Best Stefan


  • PaulP Paul moved this topic from Orchestration & Composition on