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Is it wrong to eq a VSL instrument?
Last post Wed, Dec 16 2015 by JimmyHellfire, 2 replies.
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Posted on Tue, Dec 15 2015 22:59
by Rolf_Music
Joined on Tue, Feb 05 2013, Posts 82

I use solo instruments a lot and usually flesh out the sound by doing some eq work in critical areas like reduction of 2-4 khz spectrum on violin, 0-250 khz on bass etc. Sometimes I feel like, no matter how well the orchestration, the more complex a piece with solo instruments becomes (3 violins, 2 violas, 1 cello, 1 bass, 1 flute, 1 oboe etc) the harder it gets since frequencies overlap or certain notes are hard to tame.

I dont use any compression, just eq. Now I read that many avoid eqs but without it I feel things can become really loud on some notes, especially in the area where the human ear is most sensitive (2-4khz, 250 khz, 1khz).

Is it wrong or is this sort of thing common and "allowed" with VSL instruments? I feel it actually enhances the sound, makes it warmer etc when used right.

Edit: Noticed I posted my question in the wrong section of the forum. Sorry.

Posted on Wed, Dec 16 2015 00:03
by JimmyHellfire
Joined on Tue, Dec 24 2013, Posts 335

EQing VSL instruments is definitely "allowed" - there are tons of interesting presets in VSLs own EQ plugin, and MIR/MIRx come with very useful character EQ settings.

A lot of times, I can get away with leaving many instruments untouched, as the samples themselves are of pristine quality and authentic sounding.  But I agree that there are also situations where a dense and complex orchestration can benefit from some specific EQ adjustments and tidying up, or one simply has a particular kind of sound in mind, like less bite for violins, or a more distant sounding piccolo flute etc.

Most of the time, I find that rather moderate adjustments are sufficient - an overly heavy-handed approach is rarely needed and can start to take away from the authenticity and tone of the samples.

I also think that sonic enhancements work exceptionally well on VSL samples. It can be quite exciting what a fine dose of "coloration" EQ and some saturation can do, especially on strings and brass. For low brass and strings, some subtle bass enhancement (adding in harmonics of the fundamentals, just a little bit) on top of it can really make things over-the-top huge and powerful -  a great way to achieve that massive cinematic sound a lot of people are after.

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