This midi-performance uses a separate instrument for each part. I tried to match the sound quality of the recording by the London Symphony Orchestra. All are full libraries.

Woodwinds - All VSL
Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II

Brass - All VSL
Dimension Brass 4 horns, 2 trumpets, 2 trombones, VSL Bass Trombone.

Timpani - VSL

Strings - VSL plus Spitfire
VSL Orchestral Strings, VSL Chamber Strings, VSL Synchron Strings and Spitfire Symphonic Strings

Spatialization
MIR Pro - Teldex + Miracle
Additional reverb for brass and timpani Altiverb 20th Century Fox Soundstage.

I would have thought that using four different rooms; Teldex, Synchron, Air Lyndhurst and 20th Century would end up a mess. But I am really very happy with the result. I think the complexity added to the sound by the different rooms actually helps it sound more realistic.

I look forward to your verdict.

Dvorak 9th Movement IV

That sounds really good! very expressive and the mix is well-balanced.  

Paul,

First of all I have to compliment you on taking something like this on.  It's courageous because everybody has their favorite recording of this work and they tend to compare what you're doing with samples to what they are used to hearing instead of treating this as just another interpretation of a classic.

Overall, very nicely done.  I thought the tempo was perfect.  I often hear real orchestras play this too fast and it annoys me.

I listened to it in my car stereo twice and I though the strings might have sounded a bit blurry to me during the fast passages.  Not sure if you layered the strings but I find myself automating the volume of the solo strings a few DB's higher during fast passages to get a little sharper sound but it might just be my ears.

Also, the lows and mid lows sounded a bit muddy in my speakers but again I was listening in my car while driving so that may have had something to do with that

Everything else sounded splendid to me though. 

Hi Paul,

Using CC automation to adjust the humanization in fast vs. slow passages, as well as adjusting the balance of the strings depending on the section of music is quite a brilliant idea, and one that I hadn't given thought to.  Now, whether or not it works in practice is open to debate, and of course, using your own example, some might agree it benefitted the piece while others might not.  That said, just your willingness to experiment and think in these terms, in your quest to realize the most convincing performance is wonderful and what leads to greater understanding and progress.

Cheers,

Dave

Originally Posted by: Acclarion

Hi Paul,

Using CC automation to adjust the humanization in fast vs. slow passages, as well as adjusting the balance of the strings depending on the section of music is quite a brilliant idea, and one that I hadn't given thought to.  Now, whether or not it works in practice is open to debate, and of course, using your own example, some might agree it benefitted the piece while others might not.  That said, just your willingness to experiment and think in these terms, in your quest to realize the most convincing performance is wonderful and what leads to greater understanding and progress.

Cheers,

Dave

Thanks Dave! I appreciate the positive comments. In this piece I think I got fairly close to the sound of the CD, but I know it still isn't perfect. 

Paul

Hi Paul

The preformance sounds very convincing and I think it is a great achievment-

I cannot possibly imagine managing such a long piece in any DAW. I'm quite overwhelmed  to manage my 2 minute renderings.

Do you break the piece down into smaller files?

The only suggestion I would make is trying to advance the notes of fast legato string passages by a few ticks. As the transition should have been completetd on the notes beat it is triggered at the beat of the note by the legato patch. I don't really know if it would make an audible difference, it's just an idea.
The performance is very good, so don't give it too much thougth.

Best Stefan

Hello Paul,

This is fantastic !  The New World Symphony is one of my favorite classical pieces. May I ask how many hours did an endeavor like this take you?

I just completed a composition that is about seven minutes long and it took me about 120 hours from conception to the final master.  I do not use midi and was just wondering about the time that is put into creating the final piece.

Here is a link to that composition.

https://www.broadjam.com/songs/johnminardi/composition-24/Play

You may have to cut and paste the link.

Once again, I think it's great and I can appreciate the time you put into this.

John Minardi

Hi Paul

Thank you for your responce.............Wow....I can imagine copying the score must have been quite a chore in itself.  I have been wanting to do something like what you have done with another favorite piece of mine; the planets by Holst.  I am still using Windows XP and a recording software called Samplitude. I am retired also but using my exsisting setup might require a lot more time than I have left on this earth to accomplish that task !

It has been very rewarding using the Vienna Library to accomplish the final recording of so many ideas I have had in my head for so long. I was in and out of playing drums in various bands for a good portion of my life. I always had a secret love though of classical, film scores and orchestra music in general. I have not had any formal music training but when I became retired I needed something to occupy my time. This might sound silly but I purchased a copy of John Williams' Star Wars Suite For Orchestra to see what I can learn from that.  I think it's been a lot of help but took a long time and study to make sense of the music. For a long time, written music seemed to look like some one dipped a chickens feet in ink and let it run accross the page.  A few books and the John Williams book help me out with making sense of things !

Best wishes to you paul and hope to converse with you again some time.

John Minardi

Originally Posted by: Guy Bacos

Sounds really good.

Paul did you work on the mix since the 1st time it was posted? 

Thanks, Guy. Good to hear from you. I would like to answer your question, but honestly, I do not remember. I do often make changes or corrections. I get so focused on a track that I think I lose perspective. So after not working on it for a few weeks, sometimes I hear new things and make changes. In this case, I just do not remember if I did that or not. I might have, but do not remember doing so. 

Paul