Hi

I don't understand. Does it mean that there won't be a Synchron Woodwinds I library ?

Best,

David

Thanks for your reply. I know that the SYNCHRON-ized libraries are based on the VI Series but what I meant is that I don't understand why you waste your time synchronizing libraries that already exist and that work with a great player (VI/VI Pro) instead of creating new libraries. And I say that with great respect for you because I think VSL has created amazing software and libraries over the years. But I really don't understand where the Synchron Series is going.

Best,

David

I don't understand it, either. Because it was said that there were no plans in SYNCHRON-izing the bigger collections.

BUT I really like the conistency: having nearly all legatos with a non vibrato and vibrato option is great. Also the overall re-editing sounds (I mean reads) good, because I don't like the Synchron Player.

The only thing – again – is that the Synchon Player doesn't have the “Interval map” option. Please, VSL, do it, and this library is going to be an instant buy!

Also, it would be great if the VI users could benefit from the re-edited samples, too. Like you did with Dimension Strings. I would pay for it!

The new library includes new transition samples the perfectly match the corresponding notes before and after the transitions. Our team worked intensely on creating perfect and authentically sounding transitions in all velocity layers, for all legatos, with non-vibrato and vibrato articulations, as well as regular and fast variants—all these match perfectly so it’s easier and quicker to create authentic legato phrases without the need to tweak these transitions manually.

What's more, there are additional velocity layers for legatos and fast legatos.

Regarding a trial: Feel free to purchase and try it out, you may return the product within 30 days if you don’t like it.

Think of SYNCRHON-ized Woodwinds as a streamlined product that reflects the instrumentation of late romanticism (Wagner et al.). Yes, it doesn’t offer some instruments and articulations that are available with VI Woodwinds, and that’s not an omission, that's the concept of this product. That’s one reason why it’s so easy to work with. Our specialized team is working on one instrument for about a month… do the math how long it takes to create such a product, and then think of the costs. We need to find a balance between what we can achieve at a reasonable price and what most of our users want. If you want more instruments and articulations and the flexibility of VI Woodwinds, you’re a specialist (highly valued by us!) whom we’re happy to continue to serve with our Vienna Instruments Pro player. On the other hand, a lot of customers are paying for a product that includes instruments and articulations they never use.

Having said that, I’m certainly not going to rule out that there will never be any other woodwinds and articulations in the SYNCHRON-ized series. Right now, SYNCHRON-ized Woodwinds is a great solution in terms of instruments, articulations, what people are using, and how easy it is to work with this player and its pre-configured sound with lots of presets.

And of course we’re further developing the Vienna Synchron Player to add more features over time.

Originally Posted by: daviddln

I understand that. But why didn't you record woodwinds at the Synchron Stage like you did with Synchron Strings I

I think they already did. Maybe it's not that easy with wet samples. Just guessing...

The first time I watched the very first video of Synchron Percussion it was clear to me that all instruments had been recorded. At least, it sounded like that. And the seating graphic on the product page also showed the other instrument sections (and this graphic was the very first of the Synchron Series).

HOLD IT, Hold It, hold it....

Time Out. 

Of all the patches NOT to include... in a reprogrammed WINDS LIBRARY--

You leave out the scale runs!?!?!? That's like... the best part of the classic VSL Winds Library! That's the hardest thing to program when it comes to winds. But that's what you guys had over everyone else! Whenever I visit with other film composers at their studios and we talk libraries, everyone says they keep VSL Winds around for the runs!  

I'm not trying to dump on you guys here but... this company has been taking really odd steps with it's library side. The software is amazing though so I suppose you can afford to since everyone depends on VEP, but boy when those super cheese grater macs come out and people start debating if they want to run sample farms, you're going to have think long and hard about your libraries. Who is this stuff for!? I just don't get it clearly. 

Originally Posted by: Grodhisatva

HOLD IT, Hold It, hold it....

Time Out. 

Of all the patches NOT to include... in a reprogrammed WINDS LIBRARY--

You leave out the scale runs!?!?!? 

Hi, I do not think that's too critical for all the WW-Solo-Istruments. There are good possibilities to "play" runs and trills (especially with the flute1 and all clarinets).
Dynamic Scale-Runs are more difficult to "play" when it comes to Ensembles. Here I agree that the runs of the Orchestral Strings are just "Gold"!

Originally Posted by: LAJ

(Hope you continue with the "real" SY-Series soon. Most important SY-BRASS)

 

Hi

Do not hope too much. It will probably be a SYNCHRON-ized Brass library. I wish they had stayed with the VI Series and the Silent Stage. It was perfect.

Best,

David