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Hi,
I use VI (not Pro) with SE libraries and yesterday I bought Chamber Strings full library to complete my articulation palette.
Does it make a big difference using VI Pro instead of VI regarding the repetition performance? I saw on the video below that it has a performance repetition editor? what additional parameters can be modify there?
I'm working on a baroque piece right now. I use legato_repet. layered with long detaché for the viola and violin II eighth notes' accompaniment, and I'm not entirely happy with the results. Legato repetition alone sound too legato and a bit unclear, detaché alone sound too separete.
How can I get something inbetween that sounds more natural? After many tries, I layered both articulations legato_repet. + detaché, but I feel it could sound much better. Any suggestions? I had the same similar issue many times. When I need a staccato accompaniment, it works fine with the regular long stacc. patch, but when I need a more legato or a syncopated accompaniment, I have a lot of trouble with the accompaniment patch.
I found this video on internet, but I wonder if there are more dedicated to strings repetitions. Or VI Pro users can give me you own experience. Is the performance editor helpful?
https://www.youtube.com/watch?v=r3L9dbXYcmQThanks!
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Hi, After some tries with other articulations I found non_vibrato patch works nicely for the accompaniment I needed. It gives a nice clean sound.
I didn't have this articulation on SE, so definitely I have to explore in detail what Chamber Strings full library has to offer.
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Originally Posted by: Carrillet 
Does it make a big difference using VI Pro instead of VI regarding the repetition performance? I saw on the video below that it has a performance repetition editor? what additional parameters can be modify there?
I haven't explored the performance editor all that much but I like being able to turn on and off the repititions which allows me to create my own repitition sequences. Basically you can load up the same repition patch several times with each instance having a different repition sequence. Furthermore, you could adjust the times when the repitions trigger. Then add some time stretching, humanize and time offset (only availlable in VI Pro) and you could conceivably, have a never repeating sequence of performance reps. Pretty cool
Originally Posted by: Carrillet 
Legato repetition alone sound too legato and a bit unclear, detaché alone sound too separete.
How can I get something inbetween that sounds more natural? After many tries, I layered both articulations legato_repet. + detaché, but I feel it could sound much better. Any suggestions?
Try experimenting with the release fader. If the legato is sounding too legato then you might have the release fader turned up too high. I think it defaults to 63. Tap it down a little and see what happens
Of course, the Legato blur feature in VI Pro can really clean that up too (hint, hint)
"If at first you don't succeed, try, try again. Then quit. There's no point in being a damn fool about it." - W.C. Fields
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Thanks jasensmith!
I will check the release fader you mencionded, and probably update to VI Pro version in the future to explore the performance repetition options.
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Originally Posted by: Carrillet 
Thanks jasensmith!
I will check the release fader you mencionded, and probably update to VI Pro version in the future to explore the performance repetition options. Wegmans Connect
Thanks for the information.
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StingRaymond,
That's absolutely brillaint
I am in awe of your refined eloquence demonstrated in your beautiful post.
I wish I had said that.
Wait a minute. I did say that!
What's going on here
Originally Posted by: jasensmith 
I haven't explored the performance editor all that much but I like being able to turn on and off the repititions which allows me to create my own repitition sequences. Basically you can load up the same repition patch several times with each instance having a different repition sequence. Furthermore, you could adjust the times when the repitions trigger.
"If at first you don't succeed, try, try again. Then quit. There's no point in being a damn fool about it." - W.C. Fields
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