Vienna Symphonic Library Forum
Forum Statistics

181,953 users have contributed to 42,195 threads and 254,637 posts.

In the past 24 hours, we have 4 new thread(s), 13 new post(s) and 51 new user(s).

  • [SOLVED] Feature Request - EQ trim in-line for MIR Pro (muddy LF)

    Hi VSL,

    One thing that does get me from time to time is when I get a particularly muddy brass sound (or strings too) - which usually emanates from MIR Pro (which I generally have inline of the instrument channel as suggested) I cannot get rid of that muddiness for the MIR Pro for that particular instrument only.

    If I tweak the EQ in MIR Pro room the whole Instance is affected (which is not what I want) and if I adjust EQ in the channel strip using a plugin then my clean signal (or any other aux buss) is affected too - which is not what I want.

    So my request is for a simple inline EQ that is sent to MIRPro only - just a rolloff would do (it's always the bottom end that causes issues)

    Thanks

    Richard


  • Hi Richard,

    If you use MIR inside Vienna Ensemble you can route the reverberated signal to a bus and apply reverb only to it:
    https://www.vsl.info/en/manuals/mir-pro/routing-vep#separating-dry-wet

    Best, Ben


    Ben@VSL | IT & Product Specialist
  • Hi Richard,

    that's what MIR Pro's "RoomEQ" is meant to be used for. It will affect the wet signal only and thus leave your direct signal component untouched. You can create a bank of 32 (actually 33) different settings which you can assign to each instance. You can think of it as some kind of bus routing (which it isn't, but it makes it easier to understand).

    I'll attach a screenshot to make things clearer.

    Alternatively you can use the approach described by Ben in the message above, but only if you're using VE Pro as the plug-in host.

    HTH,

    Image


    /Dietz - Vienna Symphonic Library
  • For better understanding, yet another screenshot, based on the RoomEQ Bank used in MIRx Mode:

    Image


    /Dietz - Vienna Symphonic Library
  • last edited
    last edited

    Hi

    Thanks - I finally understand this!!

    I had not been aware that you could choose different room eq curves for each instrument in that field that says room equaliser.

    It has been one of hose areas of the software that I couldn't get my head around.

    Problem solved.

    Thanks,

    Richard

    @Dietz said:

    Hi Richard,

    that's what MIR Pro's "RoomEQ" is meant to be used for. It will affect the wet signal only and thus leave your direct signal component untouched. You can create a bank of 32 (actually 33) different settings which you can assign to each instance. You can think of it as some kind of bus routing (which it isn't, but it makes it easier to understand).

    I'll attach a screenshot to make things clearer.

    Alternatively you can use the approach descibed by Ben in the message above, but only if you're using VE Pro as the plug-in host.

    HTH,


  • That's great to hear. Thanks for your positive feedback! :-) 

    All the best & stay healthy,


    /Dietz - Vienna Symphonic Library