Vienna Symphonic Library Forum
Forum Statistics

182,242 users have contributed to 42,214 threads and 254,723 posts.

In the past 24 hours, we have 5 new thread(s), 25 new post(s) and 51 new user(s).

  1. Home
  2. Orchestration & Composition
  3. Your Music
  4. Symphony #11, 1st movement

  • Symphony #11, 1st movement

    J
    J
    last edited
    last edited

    Scored for VSL Cube and the software synth Dune.

    PLAY
  • PaoloTP
    PaoloTP

    Beautiful, Jerry! Colorful and always compelling! Great orchestration, as usual!

    Paolo
  • W
    W

    jsg - That sounds excellent, and an impressive amount of work! Very interesting also using the synthesizer addition. BTW sorry about my criticism a long time ago about the Gumby score - if offered that money I would have done the same thing and done no better.  I remember using gleefully any synthesizer or keyboard I could get my hands on...

    Anyway, it is good to hear these different artistic compositions here on the Forum, and a wonderful benefit of VSL allowing composers to realize works that are otherwise either difficult or impossible to get out into the world. 
  • J
    J
    last edited
    last edited

    @William said:

    jsg - That sounds excellent, and an impressive amount of work! Very interesting also using the synthesizer addition. BTW sorry about my criticism a long time ago about the Gumby score - if offered that money I would have done the same thing and done no better.  I remember using gleefully any synthesizer or keyboard I could get my hands on...

    Anyway, it is good to hear these different artistic compositions here on the Forum, and a wonderful benefit of VSL allowing composers to realize works that are otherwise either difficult or impossible to get out into the world. 

     

    Thanks Paolo and William.    No Problem William, I got a lot of flack about Gumby because I was one of the first American composers to score an entire TV series using MIDI back in the late 80s.   At that time, as you know, sample libraries were non-existent and the synths of that day were not anything like today's synthesizers.  If I were scoring animation today I'd be using instruments that far surpass what was available to me in 1987-88.  These days I am no longer doing soundtrack work and focused on writing music for its own sake. 

    Jerry
  • PaulP Paul moved this topic from Orchestration & Composition on