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So if I get the Synchron-ized Chamber Strings for example - I know that an IR was used to place them in the hall; but what control do I have over that? Can I separate the “close” (original) perspective from the IR hall or is there just a balance control or what? Or is it a multi-out IR that simulates some other perspectives?
Seems worth doing if I can also have the same perspective as the VI version with the revised samples and the player.
Richard F.W. Davis
Composer, Producer, Arranger
VSL, VEP, OT BS, AM/SM, CSS/CSSS, SSO, 8Dio, NI, JFK, KFC, JFC, WYD?, MTBF, TL;DR
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I am a firm believer in substantiating one’s posts to reduce internet traffic. If one doesn’t have time for evidence, one doesn’t have time for opinion.
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The waveform icon at the right of the reverb send will reveal what's possible. I don't know what happens if you choose a different impulse than the intended use. MacBook Pro 16,1: 2.3 GHz 8-core i9
64GB 2667MHz DDR4
Mac OS 11.6.1
VE Pro 7.1056, Cubase Pro 11.0.41
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You have a wet-dry fader in that editor, and you can see your options as to impulses you have installed. MacBook Pro 16,1: 2.3 GHz 8-core i9
64GB 2667MHz DDR4
Mac OS 11.6.1
VE Pro 7.1056, Cubase Pro 11.0.41
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