Hi Cyril,

"being disappointed" isn't good, but as a description for a technical issue it's a bit vague. Please explain in more detail: Are you using Synchron Libraries or Synchron-ized Vienna Instruments? Where do the Roles you're loading come from? What's your host, what are you trying to achieve, what are the reproduction steps, and most of all: What is it that is disappointing you?

Thanks in advance.

Kind regards,

Hi Cyril,

I know, that language barrier is difficult to overcome, but I have a really hard time to understand what you're actually asking for.

I have no idea what you are comparing because still don't understand what you're actually doing. Are you trying to apply Roles that were created for Vienna Instruments (and consequently Synchron-IZED libraries in Synchron Player")? This won't give you the intended result.

That takes me by surprise, because the settings you show in your screen-shot don't look remotely like the Role presets I created for that Venue.

Well - that's a computer brand, but judging from your signature you're a Logic user. Is this DAW also to host for MIR 3D, or are you using VE Pro for hosting it?

The Natural Volume setting are meant to be seen as a starting point only. They only make sense when they are applied to all Icons in a VI-only arrangement (... no 3rd-party sound sources). Please make sure that you don't double these settings inadvertently, e.g. by using your host's volume faders.

Yes, there are screenshots for all Venue Presets. They are derived from legacy MIR Pro's "MIRx" settings and should look similar to the pictures shown in the MIRx manual:

-> https://www.vsl.info/en/manuals/vienna-instruments-mirx/venue-details/synchron-stage-vienna#sy-stage-wide

Well, that decision has been made when the orchestra seating for Synchron Instruments was defined. Not much I can do about it in a preset collection that's meant to match these settings as closely as possible. But the nice thing about MIR is that you can put the respective Icons anywhere you want to hear them play yourself. :-)

Hope that helps,

Keeping the volume at 0 dB is a good idea when you plan to use the DAW's mixer.

Zero width is also ok for mono sources, but I wouldn't do this in case of stereo tracks, especially not in case of ensembles. MIR likes the variation that comes from stereo signals triggering individual impulse responses for the left and right channels. The result in most cases sounds "richer" and more pleasing to the listener's ears.

Hi Cyril,

what exactly is the problem you have with the drum kit?

Regards,

If you like the sound, leave it like that - nothing wrong with it!

It seems as you're aiming for some kind of "unreal" hybrid drum sound, with the typical highly exaggerated panning of a dry studio recording, but with the wet signal's sound of a drum kit positioned far away from the listener. In that case I would create one or two MIR Icons set to 100% wet and use them as an reverb on an AUX send for your dry drum sounds in Logic's mixing console. This is also where the panning takes place, in that scenario. 

MIR's Icons have to be set to a General Purpose profile that allows for the extreme width you will need (see screenshot).

Hope that helps,

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Hello Dietz

I have follow your indication

I have mix the drum kit in Logic on a bus and send that bus to MIR PRO

Many Thanks 

Cyril