Hey Angelo!!! Long time no see buddy.  How you been???

Thanks. I am fine. All new here, only wife us still the same.

Here two videos of the new studios, and one of my engineers talking to the people:

http://www.youtube.com/user/ClematideAngelo

Are you noticing a common denominator here Angelo?

Yes, I see it, you are the first human being who wrote an  installing manual in 5 short sentences.

Thank you.

 deinstalled everything, have to work now...

but Nuendo doesn't start up anymore

 Wanted to install the library content from the first DVD, generates the error:

Could not find VSL binary installation.

 Installed elicencer, registered at Vienna website and activated the elicencer...

Nuendo still doesn't start, but generates error: No licences found, and says good bye

 Error:

Could not find VSL binary installation.

Please, install main package before installing content.

What is "main package" ?

How do I start the Vienna Instrument player in standalone mode? 

 On all the  DVDs is printed:

Standard Library

Extended Library

Where is the registration code for the Extended Library

 from where do I undate to the latest Vienna Instrument player version?

where is this update site?

 How fo i know if my packages are standard, extended or whatever?

DVD Standard Library, Full Library
Special Edition Section & Collection:
- - -



Extended Library





DVD Standard Library, Full Library
Special Edition Section & Collection:
- - -



Extended Library

 Vienna Key Registration

Where do I find my elicencer registration number for registration at Vienna website?

DVD

to where do I copy the library content  on the DVDs?

... all software required that it works.

Nuendo doesn't start up anymore after I installed elicencer, Vienna Instruments and Vienna Ensemble. 

 What VSTi player software do I need to play the "Single Instruments"?

Do the downloadable packages work in Kontakt?

Composing music has absolutely nothing

to do with reading music books.

Online.

http://books.google.com/books?id=e-X2KGyq4ZgC&pg=PA98&lpg=PA98&dq=%22The+Study+of+Harmony:+A+Historical+Perspective%22&source=bl&ots=tVercXR5tb&sig=zlkRSlVwZTLwA85Fku6nO3xo6Ss&hl=de&ei=d6zgTr_6EeuK4gTtytiZBw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CB8Q6AEwAA#v=onepage&q=%22The%20Study%20of%20Harmony%3A%20A%20Historical%20Perspective%22&f=false

"The Study of Harmony: A Historical Perspective"

Possibly the best book ever written. For the first time the analysis is sorted by Period (Era), no mixed reverences of eras until the reader is total confused.

The English translation of  "Harmonielehre"  by Diether de la Motte:

"The Study of Harmony: A Historical Perspective"

Jeffrey L. Prater

Brown (William C.) Co ,U.S.; 4th Revised edition (1. October 1991) .

Bruno Walter, seinerzeit Dirigent der Berliner Philharmoniker, besucht Gustav in Attersee, Oestereich. Gustav holt Bruno am Bahnhof ab. Bruno ist ein zierlicher, feingliedriger Mensch, immer ein wenig kränkelnd. Auf dem Weg zu Gustavs Haus schaut Bruno immer nach oben.

Gustav Mahler: "Bruno schau dir das nicht an. Ich hab dir das schon alles komponiert, Du kannst das nächste Woche in Berlin dirigieren."

 Worse!

Just listen what shit I have to compose in order to earn my wife's household allowances:

"Der Euro am Abgrund" (2010)

http://www.videoportal.sf.tv/video?id=cd2a506a-6e39-4700-b98f-d4c894175d83

A sensational book:

"Harmonielehre"

Diether de la Motte

Baerenreiter Verlag

ISBN-10:342330166X

https://www.baerenreiter.com/service/rechte/uebersetzungsrechte/backlist/nach-themen/musiktheorie/de-la-motte-harmonielehre/

Index.

Also available in English as translation, but costs a fortune.

Formenlehre der Musik

Index:

• Arie – Nebenformen: Frühe Opernarie, Da-capo-Arie, Cavatine, Rondoarie

• Charakterstück (auch: lyrisches Stück, Genrestück)

• Choral – Nebenformen: Accentus, Concentus

• Fuge – Nebenformen: Permutationsfuge, Doppelfuge, Tripelfuge, Quadrupelfuge

• Kanon – Nebenformen: Strenger Kanon, Zirkelkanon, Spiralkanon, Rätselkanon, Proportionskanon

• Kantate – Nebenformen:Italienische Kantate, Deutsche Kantate

• Konzert – Nebenformen: Vokalkonzert, Instrumentalkonzert, Solokonzert, Doppelkonzert, Tripelkonzert, Sinfonia concertante, Konzert für Orchester

• Lied – Nebenformen: Kunstlied, Volkslied, Tenorlied, Chanson, Vaudeville, Air, Ständchen

• Madrigal – Nebenformen: Trecento-Madrigal, Solomadrigal, Konzertantes Madrigal

• Messe – Nebenformen: Gregorianischer Choral, Requiem

• Motette – Nebenformen: Liedmotette, Anthem, Durchimitierte Motette, Chormotette u. a.

• Oper – Nebenformen: Opera seria, Opera buffa und Komische Oper, Grand opéra, Operette

• Oratorium

• Ouvertüre – Nebenformen: Sinfonia, Kanzonen-Ouvertüre, Französische Ouvertüre, Neapolitanische Opernsinfonia, Klassische Ouvertüre, Programmouvertüre, Konzertouvertüre, Schauspielouvertüre, Potpourri, Freies Opernvorspiel

• Passion – Nebenformen: Motettische Passion, Responsoriale Passion, Oratorische Passion

• Präludium

• Programmmusik – Nebenformen: Tonsymbolische Dichtung, Sinfonische Dichtung

• Rezitativ – Nebenformen: Secco-Rezitativ, Accompagnato-Rezitativ

• Serenade – Nebenformen: Serenata, Divertimento, Notturno, Kassation, Instrumentale Serenade

• Sonate – Nebenformen: Frühe Sonata, Klassische Sonate, Barocksonate, Kammersonate, Kirchensonate, Triosonate, Sonatine

• Suite – Sonata da camera, Variationssuite, Klaviersuite, Ouvertüren-Suite, Ballettsuite, Tanzsuite

• Sinfonie – Vorklassische Sinfonia, Klassische Sinfonie, Nachklassische Sinfonie

• Tanz – Nebenformen: Pavane, Galliarde, Allemande, Courante, Chaconne, Bourrée, Sarabande, Gavotte, Siciliano, Gigue, Menuett, Polonaise, Nationaltanz (z. B. Csardas (Csárdás), Bolero, Habanera, Tango, Ländler, Galopp, Kavalkade, Cancan u. a.)

• Variation

The curriculum in Formenlehre (Musical form) in German speaking culture (Germany, Austria, and Switzerland) at Universities and Konservatorium is the text:

"Formenlehre der Musik"

Heinrich Lemacher, Hermann Schroeder

Verlag: Volk-Verlag Gerig

http://antiquariat-lenzen.antiquariatsportal.de/bild/12158~36354AB.jpg

Downloadable here:

http://www.archive.org/details/15emusicalform00prouuoft

The possibly best text about structure in the sense of metre, prosody, caesurae and so on, how the old masters structured all their their symphonies in the common practice period (Klassik) in classic metre is:

"Musikalisch Rhythmik und Metrik"  (1917)

by Th. Wiehmayer

What the hell?

They are not directed at me?   You repeatedly answered me with sarcastic, obnioxious insults.  And then you say they are not directed at me.  That is bullshit.  

Read your post here psychopath ----> a post which was directed at the thread opener. That you think Stravinsky is about a similar idiot as I am, you already said:

William sez:

I see the troglodytic lurker Clematide has re-surfaced from the Lovecraftian netherworld he sunk to after his ludicrous "How-to-do-all-dynamic-ranges-in twelve-steps" thread was mercifully dispatched into the cybernetic non-existence it richly deserved.BTW oh Magnificent Clematide, the Knower Of All Things Eurropean who let me know how little he knew compared to his vast reserve of enless knowledge - DO YOU KNOW WHO LOVECRAFT IS? Quick! Look it up on the internet and give me many references. For your information, I already have TWO COMPLETE ARKHAM HOUSE EDITIONS of everything he wrote, so don't bother.

For your information you pathetic blowhard Clematide, Stravinsky was FULL OF *** concerning film music, which HE ORIGINALLY WANTED TO DO BUT WAS REJECTED FROM A HOLLYWOOD STUDIO GIG AND AFTERWORD SAID FILM MUSIC IS WALLPAPER. Gee, what a shock! Talk about sour grapes! And yet you beleive everything he said. How very predictable.

So don't tire me with your pathetic little references to what this pyschotic (albiet talented) composer said. He like many other great artists was a source of disinformation and absurdly opinionated CRAP concerning other artists - which he didn't happen to be - and other arts - that he did not do - like the GREAT ART OF FILM MUSIC - YOU PATHETIC FOOL! - WHICH YOU ARE INCAPABLE OF IN YOUR INCOMPETENCE AND THEREFORE INSULT - JUST LIKE YOUR GOD STRAVINSKY, you wretched syccophantic slavering troglodyte gibbering incoherently at the nethermost pits of Hell.

 Oh!   So you are  PROFESSOR!!!!

I am so impressed!   You are from the Academic world.   let me bow down and kiss your feet you egghead. 

So now I am asking HERR PROFESSOR - WHERE IS YOUR MUSIC?  Let's hear your concerti for all the instruments, your symphonies, your operas, your sonatas, and OF COURSE NO FILM SCORES BECAUSE ALL PROFESSORS THINK FILM SCORES ARE "CLICHES" (and the reason for that as we know is they don't get paid to write them).

HERR PROFESSOR, where is your music?  I really want to hear it now.  Since you are an expert not only in dynamic ranges and the cliches of film music, but also "composition, harmony, instrumentation and instrumental instruction"   - wow!  Your music must be great.  Let's hear it.

Stop interfering with my post.

THEY ARE NOT DIRECTED AT YOU ---->  NOT ONE OF MY POST IS DIRECTED AT YOU.

You only imagine that I talk to you here.

my post was directed at lukeyphills.