Hi, I have a mini-SY-future mission which is only a cosmetic change.

Please change the font color from black to white in your Synchron Player - FX-Plugins. Sometimes it is hard to read on displays which are standing further away.

Thnaks :)

(Bitte ändert die Schriftfarbe der Synchronplayer FX-Plugins in Weiß, da sie bei dunklen Hintergründen z.B. Synchronized Clarinet schlecht lesbar ist, wenn das Display weiter weg steht.)

I took a look into my license-jungle ... no separate licenses for the BonusTaiko.

Funny to read because smart orchestra and smart spheres are the only 2 VSLproducts I do not have at the moment. I even received the Taiko Drum in 2 different sales actions (1. SY Percussions I AND 2. VEPro 7). Theoretically I could give you one plus my Epic Orchestra 2 because I have no use for it ... but I fear this is not allowed.

yeah ok, you hear it in BBO because you have groups playing. Then ... if you load a Synchron Drum like the Giant Taiko which you maybe (hopefully) received with VE Pro 7 and you Play only the Close Channel in MIR, you will succeed. 

I named the BBO because it is free. The drums are of course better examples whe it comes to closesound experiments.

1. Jshamon, the best way to understand the differences is to try it out. Why don't you load the FREE Big Bang Orchestra? It is a Synchron Product too and you will see the differences between Roomsound VS Close Sounds by opening and closing the different channels.

2. Vienna MIR Pro has a second Microphone as an Option which makes the sound a little thicker. maybe you can get a demoversion from the Viennese.

Hi, you can switch MIR X in the SY Player OFF and the sound is dry and centered.

(Edit: Of course we are speaking about SynchronIZED in this regard)

 

Edit 2:

When it comes to the Synchron ( - Multi Mic Series ) ...
What Dewdman writes is, that you could use (only) the Close Mics of the Synchron ( - Multi Mic Series ) and use those Close Recordings in MIR. Why not?
Of course this does not work with Room mics or surround mics etc. since these recorded the instruments positioned.

Did he?? Yesterday I saw a photo with Hans, Paul Thomson and the Spitfire crew ... The picture was made for a HZ-Strings-Update ... I think Hans is jumping on many trains ... and Stages ;)

It is simple for people who know VSL. But compare it to Spectrasonics and you will find room for improvement.

Updates for Libraries, Expression maps etc. ... it is not so easy to be up to date compared with other developers. You always have to search the categories. Not a PITA but I hope that one day everything at VSL will updated as easy as in Omnisphere.

Edit: BTW I see an Update for the BBO. Is this for the free version or for the new one?

Thanks. I did not know this firm. I wanted to buy a bagpipe anyway. These sound pretty good.

 

I don't want a Lute. And I don't want an baroque guitar. I want ...

... well, VSL have recorded it when they made the Blue Planet Soundtrack.

Check the Link and Go to 16:53 and 17:03 ... :) ... there it is what I want!

https://www.youtube.com/watch?v=42MJd8VqekE

Cheers.

 

I could check the Donwload now. From my opinion ... it IS repetition smear. 

 

Maybe the Repetition Smear-Effect? (I could not listen ... your Download is not working...)

Hey, I remember when I tried the first SY-Piano (CFX), that I was confused to hear the sound „fast-delayed“ when I played rapidly. So, I was looking at my RME-Interface and tried to find out the problem ... etc.

Then I took a look at the SY Piano Software and found the function „repetition smear“. I put it off. And the problem was gone.

Jepp, that's true  I think that FX Strings and the BBO put the Synchron Stage in the right Spotlight. There was much frustration around when the Synchron Strings came out ... like "we don't hear the room" ... but with these Libraries this is totally over now. Now we hear it loud and clear. 

OK ... officially ... please VSL ... please release some SY Solo Strings and Chamber Strings for David!

But seriously ... I am not really looking for those products. I am too happy with the VI solutions. And when I listened to some Synchron Stage Soundtracks I did not feel that the Solo-Violin Parts were more exciting that what you already could do with VI and MIR.
For 2020 (after the SY Brass Release) I hope that VSL focuses on the BBO a little bit more. I read on Facebook they officially have a Synchron Choir. And I hope to that in one of the next BBO-Sessions they gonna invite the Choir and let them sing some effects and cruel voices crazy stuff. Yeesssss that would be so wicked !

 

Hey, one of my wishes will be fullfilled soon. (BBO-Pro  Andromeda) 

Only 2 wishes left ...

Cheers!

Time to share something cool when it comes to the Subbass-Topic ... Subdivine by Diginoiz!

Recently this PlugIn came up out of the dark. It has "playable" 808 Basses! ... Just an idea for all Subbass-Lovers here who are looking for more than just a Sine-Bass.

https://diginoiz.com/

Wow, children seem to be still a Topic. Let me add this ...

If the Viennese should not bring such a product until Black Friday I recommend Genesis from AudioBro --> total bestbuy and incredibly beautiful recorded (... duck and gone ...)

Well ... since the firm never breaks a promise ... you will at least probably get some trumpets ;D ...

remember this one from last Christmas ...

https://de-de.facebook.com/synchronstage/videos/2110733208986572/

 

Since many products of past wishlists (like a boyschoir) have been already created by other manufacturers, my list is pretty short .. finally!! ... ;)

SY Brass (Top wish No.1)

and/or

SY Taikos

and/or

BBO Pro

When it comes to historical horn instruments you were creative with "closing the gaps" (I mean the empty keys) for the sustain articulations. You did that by pitching an existing sample +copy & paste ... done! Very good! That is what we want. Sometimes "creating some unrealism" for the benefit of playability on the keyboard is the right thing!

And now ... If you emagine the "flaws" as empty keys ... Why not so here?

Just a little sample-exchange and boom .... there we are! Happy!!!

Funny to see that this topic comes up and up again.

I have only one question:

VI Version VS Synchronized Special Edition ... Are there changes (Remastering, "tricking", copying and remapping etc.) made in the SYzed Version regarding to this Topic?

Thanks.

They did bring the updates of Dimension Strings to VI, for example.

Yes. You are right with the dimension series. I exclude them from what I wrote above. It seems that here the basic sound was not changed. Therefore no problem for VI-MIR x

Regarding to the VI Upgrade-wish ...

Why does no one see that they probably can’t bring the remastered Synchronized articulations back to VI?
From VSL´s point of view it is not possible. From Dietz‘ point of view, it would be a Desaster.

The whole problem? VI-MirX!

The Mixes are only made for the „old“ VI-Sound, not for the Remastered sound. Dietz had to create everything new!!
And that is probably the whole problem why the firm excessively seperates both worlds (VI VS. Synchronized) from each other.

Take the sound of both Chamber Strings (VI VS. Synchronized) as an example. Both are totally different mastered and they sound different.

Another thing is that Dietz mentioned that the Synchronized MIR X was created with a „Future MIR“ ... what ever that means ...

It seems that there could be new Sample-Libraries for VI in the future, but the Software itself will not see any Innovations or rebuilding anymore; only support (but for a long time) ...

C‘est la vie ...

 

Just to add this: You could of course use a Synth for that in a second step. But the benefit of a built in Subbass is that you could control the sound dynamically together with the Samples and save yourself another step with a synth.

 

Hi All,

this BBO is great. Yesterday evening I was playing quite a bit and I enjoyed all of it.

What I like about the Woodwinds is that there seems to be a CB-Bassoon or a CB-Clarinet creates a lot of power. First I thought that this noise came from that the Woodwinds-Microphones caught some Brass Instruments. But with my Headphones I heard that this musst probably be a CB Clarinet. 

The only "need" that came up with this Library was that thought: "Why is the tonerange not a little bit deeper". But then I thought ... a powerful (sampled) Subbass (which is one Octave below the deepest sound) could solve that need ... 

So, if you (VSL) should work on some bigger BBO-Package, a sampled Subbass wich you can activate by pressing a button in the Player could be a powerful addition to blast the sound even more.

Best, Lars