Am I right that MIR Pro, MIR Pro 24 and all the roompacks come with one license? So every computer has to have it's own purchase of those.

Amazing! Thank you Paul.

One more question. Is it possible to "un-assign" the main volume slider inside Vienna Imperial plugin so that it doesn't react to cc7?

Hi,

is there any way to assign the MIDI Sensitivity slider in Vienna imperial to a CC?

Should the VEP7 integrated Equaliser Pro have a factory preset resonance menu for Synchron Timpani?

I have this exact same problem too.

Ok.

Thanks Paul.

Hi Paul,
do you mean the whole Logic project or just the VEPro 6 Server Project?

Help!

I have a project that was created with VEPro 5 and after I upgraded my VEPro to 6, it won't load SY Player instances. I can create new SY Player instances without any problems, but the existing ones won't work. The VEPro6 server window looks like this:

When released, VE PRO 6 promised

• >  New code base for about 70% less CPU usage for all internal Vienna Ensemble Pro calculations

• >  Rewritten user interface code resulting in 80% less CPU usage for graphics

• >  Improved multi-threading performance for increased plug-in hosting capacity

So how about the performance of VE PRO 7. Is it lighter or heavier than VE PRO 6?

Thank you so much again.

One last question. Should the reverb be the same for the main mic and the spot mics? Or is it better to have a different reverb for the main mic?

Thank you for your advise too, Dietz.

Do you mean I should forget the main stereo pair and room mics completely and focus only on the individual close mics?

Thank you for your answer. I recorded it as an ensemble.

Should the main and the room mics have a longer reverb and the individual mics a shorter one or should all have the same reverb? How are these things usually done?

I could use some serious reverberation instructions, please. I recorded a small woodwind ensemble (flute, oboe, clarinet, bassoon) in a recording room with measures about 5m x 4m. I used 8 microphones. The main stereo pair was about 2,5m in front of the ensemble. This is the sound I’d mainly like to use. Then I had a room stereo pair about 5m in front of the ensemble and individual microphones for each player. The meaning of individual mics is just to enhance a single instrument here or there only if needed.

What kind of reverbs should I use if I’d like to get the lush sound of a big scoring stage? My plugins include for example Vienna MIR and Vienna Suite. Any advise is greatly appreciated.

Just to make sure. When I download Synchronized Appassionatas they will not overwrite my VI Appassionatas, right?

Can one find somewhere ready VE PRO templates for Dimension Strings with MIR Pro positioning, humanize settings etc. ?

Any chance of getting some tutorial project files of the new demos, like the Danzon 2?

Any news about AU3?

Hi,

where can I find the velocity layer information for example for Synchron bass drum "dynamic rolls light" patches?

If I want to get rid of the old Synchron Strings data, how do I do that? Do I just delete it from my hard drive and erase the path from directory manager or is there something else I should take care of?

Ok. Thank you Paul for your answer. So my next question is this. I'm thinking of upgrading to VE PRO 6 and have been watching it's video tutorials. The new tab system looks awesome. If I understood correctly, those tabs are VE PRO 6 instances. But is it possible to use the tab system within one instance so that different tracks could be found behind differen tabs? 

Is it more CPU friendly to use for example 3 instances of VE PRO 6 with 16 channels and one thread each or one instance with 48 channels and 3 threads?

I just downloaded the Sychron Strings VE projects. How can I open them with my VE Pro 5?

Can I somehow see the amount of send signal in the send field of a VEP5 channel without changing the slider position?

Turn release samples off for those notes.

What? Why? Always?