it is. sorry, you may ignore

another bug in it finding the samples, too

The workaround will mean creating multiple buses in VE Pro for the different treatments of the instrument; either using the multitimbral architecture of the instrument if it will duplicate/multiply (and using the channel input feature*) or more likely as sends to FX channels. You can, but aren't forced to return outputs for each for mixing in Logic. By that I mean you may have all of these channels coming back as a single stereo output or as many as you want to print. 

(My preference is 8 outs, 4 stereo outs for an instance, more typically 1 or 2, because I mix with VE Pro automation and don't need to print more than say 4 stems.)

(*: for example a multi instrument that has more than one mic placement in its mixer, the core one is 1/2, A/B rig is 3/4, Surround is 5/6 etc, so there's things that might be treated differently. Beyond these relatively limited outputs you're either going to have to duplicate instruments or use that send to FX bus paradigm.)

I've had issues with dialogues not responding to the computer keyboard, forcing me to use the menu, eg., 'Open recent...', which seem related to other instability. Kontakt is one of the places I get this, loading instruments or multis.

Well, it's the default now. I at least strongly believed at the time it wasn't :D

Here, Big Sur, VEP 7.1056 everything opens as the state saved in. So this is a bug of which later version?

You have a wet-dry fader in that editor, and you can see your options as to impulses you have installed.

The waveform icon at the right of the reverb send will reveal what's possible. I don't know what happens if you choose a different impulse than the intended use.

Originally Posted by: vtimmerm

My own file only sounds right when I listen to it on headphones (BeyerDynamic DT 880). On the studio monitors, three problems mainly: the strings sound too sharp and lack warmth, the low frequencies seem much to soft now (although these systems usually have no problem producing a good bass at all) and it sounds sort of muddy, like[...]

the studio monitors are almost surely giving a flatter response than your phones, which are flattering the sound with enhancement by design.

Originally Posted by: vtimmerm

  On many websites, compression is mentioned as a remedy to the muddiness.

Compression shouldn't be looked to as any kind of panacea. Always have a reason to use compression.
One cause of the muddy is conflicting frequences in the same space of the stereo field.

But a stronger (misleading) bass signal in your 'phones has ramifications in more than the range of the fundamentals, you'll have a false picture of their resonances/overtones as well.

well, we don't know your headphones or speakers, chances aren't 0 your headphones are the type that add enhancement, typically at the low and high end in what we call a smile EQ characteristic.

But in a larger sense, you're not going to mix in a notation application sufficiently, are you. The output will tend to be pretty flat in both the figurative and literal (no depth) senses. Mixing is like any other discipline, needs a few years of practice. I didn't have what I'd call a good or even very decent mix for around 3 years after I started creating compositions in a DAW.

the report is not going to appear under the name I use for this profile, which is a stage name.
Last name is Civil.

I typed the basics in the dialog that popped up consequently.
There's no steps past open the project, it wouldn't and then it wouldn't initialize after. Three times in a row.

It's ok, I'm just going to stick with 1056 which did that one on occasion but recovers. My hope was an update would mean the opposite, would fix that. I don't have another particular reason to update it.
It crashes during the load of instance 2, I think it doesn't like something about BFD3. 1056 when it did this was the same timing, the only things in that instance was BFD3 (a dozen or so outputs) and VSL. This one has Kontakt with Geosonics II as well as VI Pro and Synchron. And 1056 has not crashed since. I deleted both the plists in preferences and dealt with those consequences... seems like I found some cache file to delete

Server project crashes on load, then server hangs on initialization

it could be other updates are the problem but after an hour I have to say it's fatal, everything has to roll back.

the prev. version did this sometimes but it would not cause the server to hang every single time.

You need to run the Directory Manager to see what's up with Vienna Instrument; it sees strictly what's established in that manager.

hard to say, information is kind of lacking... but "packed into a folder" seems questionable. I don't know but I would ascertain it doesn't see them in the default folder first.

they don't show here under Big Sur, either.
However learn works fine. 

I've been putting the orchestral instruments in Synchron Wide with the more sound-designy synthetic things in Pernegg Monastery all along. It just means more than one instance of VE Pro.

The individual instruments tend to have far more articulations than SE.

a euphonium, if you ask me is different enough from Wagner Tuba to maybe be noticable if one is really looking for the latter, but in a denser texture maybe not so much.

I mix the Synchron Player with VI all the time. Note well I'm putting the latter into MIR Pro, Synchron Wide. or in a pinch Synchron in the MIRx internal plugin to VIP 2. The only horrible thing would be to send VI to a reverb that doesn't gibe with Synchron particularly if the latter is treated as wet, like a plate in the aux send or with its reverb.. A muddy room about the same size for example.

just a note, a syntonic comma - 81:80 - is around 21¢ wide. If something is already very close to being "D" already, it will be that much closer. 

Also, the notion of Ebb being a lower pitch than D is a convention taught in some schools (a specific pedagogy for strings) that is not universal. It might well be that it's written by a Wagner to convey a smaller interval than a semitone in the case it's to descend to Db, but in itself it's two semitones below "E".

Originally Posted by: create-compose

Hallo again..
I've been looking at the VSL's BBO libraries, are they all Tutti?

No. see image below, Ganymede (Choir); take eg, bass out of the picture, there's no bass voices.

The thing about notation is, notation is a shorthand to give to performers. What we do in a DAW is literally the duration we specify, not a suggestion to someone that's going to handle that in performance. Notion is a kind of hybrid of where there is the bars visual to stretch or shrink for actual durations. I don't know about this other thing, afaik it's Notion under a new name, but Notion did not have the sounds for what I wish to do and it's not a thing for me anyway for some time.

word to the wise: if something with vibrato has a speed control, it's almost certainly LFO and fake vibrato.

Long story short, your music inside the box is inside the box and cannot be harmed by your audio interface. Conversion from analog to digital in recording *into* said box is another matter.

What you hear consequently may be shoddy having inferior reproduction equipment, but this s not a reflection of its source material, it's just a reproduction issue.

wound up unable to resist Cymbals III as well 

If you mean OS12 Monterey, VSL reported earlier that 'Monterey has broken the GUI of our plugins', they're showing up all black all over.

Oh well, I went for the VI and saved 8 euro. I think I like the interface a little better for this kind of thing, and it's very much the kind of instrument I'm going to use up a slot in MIR 24 for anyway (MIRx is sometimes kind of weak as is, and I can help things considerably in MIR.)

Having only the MIR 24 to work with, I don't put drums in it because I would need a whole 'nother instance of it devoted to drums, owing to the problems Deitz has brought up.. IME a single drums bus to MIR is not it. Once I needed some cymbals to not stick out like a sore thumb and I tried a single stereo cymbals bus in it like a little bit of glue. I wouldn't say the results were terrifically satisfying. The room as it is with the other things, and the Synchron Player enveloping besides, is a very different room than the drums will fit in. Also the drums I'm mixing use a fair bit of room sound in situ, also problematic.

VS and VS Pro are both very ergonomic and simple to use; in fact I learned mixing using the original because eg., compression is presented in such a clear UI. The pro version does a number of things the original doesn't. The original is selling for 130 euro which is an amazing deal. For a beginner mixing I don't see anything comparable in one package.

Neither has that kind of saturator, except the compressor has a "Fat" setting.