thanks!

ok thanks,

can you show me the path of the dump^

ciao

mt

Hi,

Hi All,
I have a template of about 50Gb on a VEP 6 server instance on a win7 machine with xeon 6core and 64Gb ram. SSD disks.
The server (remote)  VEP project consists of about 8 VEP instances.(String, Percussion,Winds,brass...)
Every VEP instance load only kontakt 5 and one kontakt for every orchestral patch.
From a remote (master) PC (win10) I run my DAW (cubase 9.5).
This is my error case sequence.
- load the VEP project in remote dedicated server
- when done, I run my  template project in cubase which connects to 8 VEP instances
- often, not always VEP is in error and in the windows log event log the following message:
 
many thanks,
matteo
 

Nome dell'applicazione che ha generato l'errore: Vienna Ensemble Pro.exe, versione: 6.0.0.17223, timestamp: 0x5bf54985

Nome del modulo che ha generato l'errore: Kontakt 5.vst, versione: 5.8.0.36, timestamp: 0x5ac646e2

Codice eccezione: 0xc0000409

Offset errore 0x0000000000598a86

ID processo che ha generato l'errore: 0x98c

Ora di avvio dell'applicazione che ha generato l'errore: 0x01d5013629c55ef5

Percorso dell'applicazione che ha generato l'errore: C:\Program Files\Vienna Ensemble Pro\Vienna Ensemble Pro.exe

Percorso del modulo che ha generato l'errore: ....path to Kontakt 5.vst

 

ID segnalazione: 61043198-6d2a-11e9-b58f-503eaa065838

Hi

same problems here on my two win7 and win10 workstation.

i have:

- bypassed router and used direct connection beetwen the server

- change cable cat 6 cat 5e

- in master workstation i have 2 network card (integrated) in gygabyte Mobo. I try both

All my test failed....

last chance to change the integrated network card with 2 dedicated pci card...

Any help?

ciao

mt

Hi all,

My main wokstation  runs VEP (localhost) with a very extensive template without problems. (win 10, Cubase 9.5, MOTU 828 KMKII, i9 12 core, 64Gb ram)

I'm trying to use a second workstation (win 7 pro, xeon 6core, 64gb ram, full ssd) with a remote instance of VEP.

The workstation are on a dedicated network.

Every two seconds I drop out of the signal.

There are no firewalls. The ip are static on 192.168.x.x with subnet mask  255.55.255.0.

many thanks for help!

 

ciao

matteo

very interesting. Many thanks!!

Also I use the disable tracks in cubase but I still do not have the VEP 6.(soon)

Thank you very much for sharing your experience and confirming my intentions.

I guess you're using VEP in localhost mode mainly.

ciao

matteo

do you use one audio output for every section or patch? es: one output for violins (all articulations) or one output for every articulation?

Kontakt multi-patch?

many thanks

nobody? :))

Hi!!

I'm reorganizing my big orchestral template. I would like advice on how to better manage the distribution of kontakt patches and related outputs.

1) Kontakt multi patch (ex: 16 art violins) 1 stereo out for patches? (16 patches - 16 kontakt out). I guess that this approach makes total audio output for VEP instance problematic

2) kontakt multipatch with fewer outputs grouped by genre of articulation.I guess that this approach makes the DAW processing (EQ-COMP...) of each patch is less precise

3) Better thread management in multi-patch kontakt. Each kontakt instance is processed by a thread, so multiple patches are loaded and played simultaneously on the single thread

Considering that each orchestral section has at least 10 patches as suggested scenario?

 

Many thanks!

matteo

thanks.
Can i have a examples of dynamic samples?
I remember that i'm programming VSL SE plus

mt

no help?

Hi,
voila the link of my cello part.

http://www.4shared.com/a...Wo6fwLir/cello_solo.html

Is the track as is in the main mix of the music.

thanks for help

matteo

ok i search a shared web space.

Do not get me wrong because of my bad English.
I know what it means to sacrifice.
I studied all day for years on my instrument and Dubois and the Treaty of Harmony in Schoenberg etc ...
I know what it means to have the tendons on fire!
The question is of professional quality and cost.

I share the enthusiasm, really, but how can I pay a producer all the time which would require a program like this?
Perhaps with a few hundred dollars can enforce a part in a player, as far as possible.
Certainly a symphony orchestra would become a problem .. but I asked how to improve my cello and only if the "special edition" could, in your opinion, be sufficient for an acceptable result ....

With gains of this work will buy SOLO STRINGS I because the demo are incredible.

eheheh
:)

HI
noldar, i'm graduated at the conservatory (italy)in guitar and studied composition.
I know quite well the joints of phrasing in the strings.
My question concerns the time needed to plan every detail (with SOLO STRINGS I). I would not ask for more time programming than just writing that part of the entire composition.
I confirm that the timbre of the sample using a much better reverb impulse as altiverb.

then what is needed is a lot of programming. A demo that is published on how many days of programming required?
Using Altiverb really helps to naturalize the performance .. is true!

mt

thanks all for interest.
I build a good room reverbearation with ArtsAcoustic Reverb.I will try altiverb in the next future.
Also I am convinced that the demos are representative of the quality of the library but the question was about the special edition+plus version samples.
I love the timbre of the cello (especially when compared to other libraries), but the articulations availables are a bit "hard" so i wotk a lot with dynamic controller like exp,pitch,velocity xFade(no problems in phase or others).I don't use for now attack because i prefere mantein original ADSR in natural samples,as VSL.
The texture of solo cello is high.
I use these articulations:
legato,sustain,legato+sustain(my patch),detache.Every note is programmed and different to the others.
I hope that with SOLO STRINGS I the effort of programming work is much smaller.

bye

mt

I own VSL standard and plus.
I write a small part of a solo cello in my theatre music.
I programmed the cello careffuly with velocity XFade, expression and a little "vibrato" through the pitch controlelr(as video demo).
But the sound does not satisfy me ...is not really...without "anima".
Maybe I have to go to the library "SOLO STRINGS I" or can only improve with these samples?
Any suggestion?

thanks
mt

Hi,

i'm looking for demo project or midi tracks examples to study and the right approach to the planning of the joints of the instruments of vienna.
I found only audio demos.
Do you know if they are available?

thanks a lot

matteo cremolini