Thank you Dietz for clarification.

Greetings,

Thanks,

had totally forgotten about that thread.

Greetings,

Hello,

so are there any news regarding a Synchron Stage Extension for MIRx or will there be no?

Greetings,

Personally I prefer the Orchestral+Dimension Mix. Lush broad sound with a lot of depth. Dimension and Appassionata on their own sound great too. Appassionata sounds really lush and powerful. The weakest, in my opinion, is in fact Synchron.

Thank you very much for adding Appassionata Strings. ;-)

Wow, thank you very much for this great comparison. Too bad there is no snippet for Appasionata Strings.

Judging from those snippets, in my opinion Dimension Strings are still the holy grail and pinnacle of all the VSL string libraries, yet combining them with Orchestral Strings really adds alot to them which is astounishing.

It is also quite interesting to see how well those old Orchestral Strings aged and still boldly stand against all the newer libraries, including SyS.

I'm the one. ;-)

Thanks for info.

Hi,

really simple. Within the Quicksound-Options there's a checkbox named "show only instruments that match search". This one has to be UNchecked. It may be that you have to restart GS to let this change take effect.

Kind regards,

Seb

Hi,
Simply UNcheck "show only filetypes that match search" within the Options.

This should do it. I ran into the same problem after updating from 3.04 to 3.12

Best wishes,
Seb

Woooooooow !!

Not only that I finally got a job ! (well - which nowadays is almost like winning the lottery - especially here in Germany) - and sooner or later will be able to update to SC []
the fact that VSL is heading right towards a choir library made my next 5 years !

Thanks soooooo much Herb.

Seb

BTW: Have a look at www.snesmusic.org - a great resource for original classic-console music. Offers complete soundtracks for download, infos about composers and many more. I've found some real gems there.

Cheers,

Seb

Hi Ben,

Which one do you mean ? The military-style march on the opening credits or the action-tune that plays during the intro-movie (where Squall and Cipher have their duell) ?
(Besides the music - in my opinion Square did some of the best designs in the whole industry - their flying ships are simply outstanding -and the environment in FF VIII, with this cross-over style of futuristic technology and pre-industrial architecture is simply stunning.
And which real FF player didn't want to own Squalls "gun-blade"

Greetings,

Seb

Hi B.C.

Want another Uematsu fan ? Here I am.

It was back in the 90's (the shining time of Nintendo Snes and Sega Genesis) when I played my first encounter of Final Fantasy (III) - I guess it's VI in the USA, right ?) - and the first thing I gave attention to was - well - the music.

Since then I played nearly all FF's (exept the ones after IX) and although it's not a secret that Uematsu often recycles his themes, he's an outstanding artist of his kind.
To my opinion: His work for FF VII is still the best.
Guess what - I still own a 3-CD Set of the FF VII music - imported from Japan
Well - I remember me and my class-mate waiting and hoping to hear the Sephiroth-Battle Theme as a real orchestral recording - but all we got was the beep-beep-beep midi sound you could hear on the Playstation

Anyway - it still rocks !

Greetings,

Seb

Hi,

I've allready created some DEFs using the iMIDI rule without any problems.
My guess: As soon as you want to build a dedicated DEF patch within the editor, it seems to require 24 bit samples, on the other hand, you are still able to create DEFs "on-the-fly" within Gigastudio itself using iMIDI.

I might be wrong, but at least it seems to work fine this way with 16 bit samples.

Seb

Hi,
I asked this to myself many times (although in my case, I want to control the course tune, being able to control tuning in half tones.. doing this, one would have up to 3 or even 5 different sounding variations of the same pitch - through tuning up/down by 1 or 2 half tones...), but at the end it seems not to be possible to control tuning via a midi-controller - I really tried anything - even GS3 custom rule builder (which really is a pain to work with..)

I really would give anything to be able to do those things in realtime....

maybe someone else (david govett ?) can help us...

Greetings,
Seb

Could not agree more. - They arrived yesterday - glad I made it before the holiday prices end - and I only played arround with them. Man - they are by fact my personal favorites out of my whole VSL collection - simply amazing !

Missed the summer sale, but this time I simply couldn't resist.
BTW - got Solo Strings too - lots of new toys... []
Ok - no time - back to work

Seb

Just want to jump in

Merry Christmas and a happy new year to the whole VSL Team and all fellows here on the forum.

Seb

Paul,
I've read this topic with much interest, and as excited as I am about those new things, I'm also a bit dissapointed.....

Don't take me wrong, but one of the main reasons why I bought VSL was the fact that it was available for GS, allowing me to edit the patches on the sample-level.

There are not much, but there were some broken samples in my First Edition which needed either to be edited (in most cases my Wavelab Declicker allready did the job), or completely altered with a pitched neighbour-note.

In case for the VI's:
What if we come across a "bad" sample ? We would be stuck with it, cause there's no way to edit those patches on the sample-level, right ?

.......well, the same dillemma as with EWQLSO....

Seb

Opus 1 - how neat.....

[[]] [[]] [[]]

Symphonic Cube - for sure.

Price ? I would guess somewhere around 10.000 (Euro).....

Against this "monster" my sweet little 1st Edition will look like poo poo ... []

Bamboodscha !


Seb

No Problem. []

Seb

Hi,

within the quicksound options, get sure that "show only filetypes that match search" is UNchecked.

I've run into this after updating to 3.1 - and travelling over to NS forums gave me the solution above.

Hope it helps,
Seb

Beat did it again !

I think those tutorials are some of the best out there about "how to use VSL".

Beat - your're the man !

Keep up the good work.

Alles Gute und besten Dank für diese großartigen Tuts !
Mach weiter so !

Kind regards,
Seb

Beat did it again !

I think those tutorials are some of the best out there about "how to use VSL".

Beat - your're the man !

Keep up the good work.

Alles Gute und besten Dank für diese großartigen Tuts !
Mach weiter so !

Kind regards,
Seb

Epic Wind Chimes.... [] []

Imagine this epic *blingblingbling* - sound... []

[]