Hi Dietz and team,

I already have Vienna Suite and MIR PRO.  I was considering the idea of getting a plugin bundle to finish out my mixing and mastering tools.  I was trying to decide between SSL Solid State Logic Duende bundle, or Waves Platinum bundle.

What would you recommend from a true professional level as to which of those will make my mixes and masters sound the most superior (assuming the person using them knew how to use them) :).

Thanks,

Maestro2be 

Thanks for the response HS,

I definitely agree that Vienna Suite is very powerful and it is on every channel of my instruments.  It's my main and I use it on the master bus also.  The problem is, that the whole thing (all orchestral music) seems to lack that "shine" that you hear on the high quality engineered tracks.  The overall size of the stereo image just seems a bit small to my ears compared to industry recordings.  I know Dietz also said that unfortunately there are some plugins that are just much more helpful to give the mix a certain shine quality, hence why you need more than one package to do your job best.  However the specific plugin names were not given and I did not press for them at the time because I found it rude, as this is his earned living.

I guess perhaps I am looking for that final piece for mastering that will give the song that boost in image and shine (not in screaming volume).  But makes it come alive and feel very detailed and large spread without losing the dynamics.  I really wish their was some good training material on this along with what plugs used to get a very nice result.  It takes more time and energy than available for people like myself where this is only a hobby, and perhaps an obsessed dream :).

Maestro2be

Did you read the post of one or two MIR PRO user that removed all the plug-in corrections and just used MIR PRO on it's own ?

He said he was very pleased of the result

Of course you have to set each instrument with it's profile in MIR

Errr ... actually it should be the other way 'round (the closer the Main Mic, the wider the perceived stereo image). How did you experience the behaviour you've described in your message I've quoted above?

Another good way to widen the stereo image within MIR Pro is to use a Main Microphone setup that uses larger opening-angles between the two capsules and/or a setup that picks up more out-of-phase information (try M/S with cardiod M as an example for the former, a Blumlein setup for the latter).

Kind regards,

I'm not sure if I understand you correctly - but to me it sounds like you're mixing up the stereo width of the source signal (represented by the "Icon" within MIR Pro) and the stereo width perceived by MIR's Main Microphone.

You could have to mono-sources on the far left and the far right side of a stage, while "recording" broad stereo from a Main Mic at the conductor's position (for example). OTOH, you could have (say) Appassionata strings spanning ten meters to the left and the right, while still hearing a pretty narrow signal from the balcony in the back of the hall.

.... hope this sheds some light on the issue. :-)

Kind regards,

Hello Maestro2be ;-)

Nice to meet you here.

...Even if the panning etc. is well done by MIR the final mixes often can sound a bit muddy or thick. You will notice that as soon as you play the mix through desktop PC speakers or similar products. For such mastering tasks you should have some more and warm EQs and one two Mastering compressors.

Beside Wave-products I can recommend all the effects from here:  http://www.plugin-alliance.com/en/plugins.html

(+ you don't need any dongle)

A nice EQ (with dynamic-possibilities) is also the one of Hofa... http://hofa-plugins.de/pages/start_en/hofa-iq-eq_en.php

All the best

Beat