Welcome Guest! To enable all features please Login or Register.



Forum Jump  
YAY **Synchron Strings Pro** NOW available!
Last post Wed, Oct 21 2020 by sui, 67 replies.
Go to last post
4 Pages«<234
Posted on Wed, Oct 07 2020 23:35
by muziksculp
Joined on Fri, Oct 03 2003, U.S.A., Posts 413


Q.  What does the 'Marcato'  labeled Fader in the Performance area do  ? 

I couldn't find any info about it. 




Posted on Thu, Oct 08 2020 06:24
by Paul
Joined on Sat, Aug 03 2002, Vienna, Posts 12231

Hi Muziksculp,

You can control the marcato amount in the tremolo / marcato articulation with that controller. 


File Attachment(s):
SY_Strings_Pro_Marcato.jpg (916kb) downloaded 7 time(s).

You cannot view/download attachments. Try to login or register.
Paul Kopf
Product Manager - Vienna Symphonic Library
Posted on Thu, Oct 08 2020 16:49
by muziksculp
Joined on Fri, Oct 03 2003, U.S.A., Posts 413

Originally Posted by: Paul Go to Quoted Post

Hi Muziksculp,

You can control the marcato amount in the tremolo / marcato articulation with that controller. 


Hi Paul,

OK. Got it. 



Posted on Fri, Oct 09 2020 08:14
by David Kozin
Joined on Thu, Mar 22 2012, Posts 14

This is an informal review from a string player's perspective and I hope it is appropriate posted here.

To check-in my bias, I want to say that I did not buy Synchron Strings, and never owned Dimension Strings (the latter only limited by budget, but not for lack of interest). I am a budget conscious musician/scientist and could only afford the Special Editions w.MIRx plugins to give them life over the years.

To see a "flagship" string product come from VSL where I can get each section with a full range of articulations and multiple mic positions for $310ish was too good of a deal to miss. I wanted to see if what made VSL string instruments special was not lost in Synchron format. For comparison, I have played with many string products available in cloud program to rent for a month or playing with a fellow musician's rig that has 6? string libraries for N.I. Kontakt. 

I have played violin/piano since I was 10 years old, marching band percussion in HS with 80% of the playing time between 10 and 19 years old. I was lucky to play in the Interlochen Youth Symphony, and have had the pleasure to guest conduct a few  university symphonies while in late high school. My first music "library" was adding 1 MB to my Sound Blaster to play a GM soundfont.

What made the VSL library (with VSL Instrument Pro) a superior product to the other libraries was the ability to take a Solo Violin Legato patch with Polyphonic legato with Velocity controlled dynamic layers set to very sensitive (115?) and then add a MIRx plug-in, select solo position and play Bach Sonatas or long solo passages of Mendelssohn (section 22+ of the Andante playing live [technique tangent -> ] with right hand and left hand alternating the 32nd notes so the double stops that land with the melody progressions are played with the same hand. The added humanization because when both notes are played with the same hand (usually right) they will land off-beat together vs. playing the moving 32nds all with left hand and then adding a right hand taking the melody only) . 

My complaint with other libraries is the patch changes are usually harsh, and hard to find an interface where I can take a single patch to hold so much weight for articulations with careful playing.  For me, this is what made VSL library much more an Instrument than a collection of patches.  A legato switch on a cello section should handle enough expression that I can hit a hard stop, and control the legato patch to create a reasonable detache w/ deliberate separations and programming interval timing to the seamlessly have lush legato sounds. This libraries "Legato Agile" is one more step in this ease for keyboard notes played that are represented with correct patch variations. 

With my little time with VSL Synchron Strings Pro, I have played Edward Elgar's Enigma Variations "Nimrod" at my preferred tempo like Bernstein . It is an excellent piece to highlight how a string player will have to provide a tremendous range of expression and self control with dynamics over 6 minutes with the Bernstein recording (And, he could bring it out of the musicians. The long, full up and down bows give a lot of control over the sound. I loved the VSL flautando, so I wanted to hear if the library could be played to control tone changes while staying from ppp to pp, subtle differences in phrasing that builds up.  I am very pleased with the library! 

The legato flautando can hold interest with its subtle dynamis and mimicking the alternative up and down bow phrasing from high to low in the large intervals played very well with gentle velocity XF to make seamless transitions. This also worked to legato pianissimo to Expressive p to regular vib and finally molto vibrato was very satisfying. It don't think it is necessary to have all of the transitions (but no complaints), but having them available adds much more of  dynamics that you can hear the difference in musician's technique and not just amplified. 

The Portamento built in Stretch Control is a game changer. I probably used VIPro to create 3 variations of speed and one hardly noticeable slide because it would give me a different sound than the legato patch. In  most libraries the portamento is almost gimmicky and only works if you are creating a version of Wizard of Oz's Over the Rainbow. With the frequency we shift positions into a note it is great to see a solutions to product that sound. I still have more to play with it, but so far it is great.

Combining this library with Big Bang orchestra (Free Edition) can create an epic sound that makes the most basic chord progressions impress family and friends.

In conclusion, I am not a professional film score composer, so I want a library that can play like an "instrument" and is it responsive and playable. This library can be played like a string instrument with a basic MIDI keyboard controller, and it is more than just a collection of wav files that are best put in with a robotic mechanical precision, but retains the same responsive instrument legato patches (and added more) that I have come to love with VSL. 

Posted on Mon, Oct 12 2020 09:37
by lahatte
Joined on Tue, Apr 25 2017, Posts 27

How do the "sus" patch set differ from the non-sus patches?


Posted on Tue, Oct 13 2020 08:03
by sui
Joined on Sun, Jun 19 2011, Posts 9

I really, really like my German seating for the strings and would prefer to keep it. Is there any sane way to re-pan the sections provided that I already have MIR and the Synchron Stage room pack?

Also, is it possible to force playing on certain strings like for Dimension Strings? I couldn't find any related settings in the GUI screenshots.

Posted on Wed, Oct 21 2020 15:42
by sui
Joined on Sun, Jun 19 2011, Posts 9

To answer my own question just in case anyone else later has the same:

Moving the sections around in space was amazingly effortless. I removed the room mic, panned the close mic to center and increased the volume, and spread the main mics fully. After that it just plopped right into MIR and works as expected. I'd even say it sounds better than the completely dry Dimension Strings, even with the remaining reverb from the samples.

Forcing strings or finger positions is not supported.

4 Pages«<234
You cannot post new threads in this forum.
You cannot reply to threads in this forum.
You cannot delete your posts in this forum.
You cannot edit your posts in this forum.
You cannot create polls in this forum.
You cannot vote in polls in this forum.