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Pipe organ and MIR
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In case of Vienna Konzerthaus - Great Hall it would make little sense indeed to use MIR for positioning and reverberation. Maybe a hint of MIRacle (or a similar algorithmic reverb) for "glue" and coherence ....?
I employed a combination of two, sometimes three microphones for the samples used for Konzerthaus Organ, mostly the one at the conductor's position for definition, the ones in the back for nicer enveloping and reverb a.k.a. "release samples". ;-)
HTH,
/Dietz - Vienna Symphonic Library
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