I know that everything is possible, but do you recommend to use e.g. the "Konzerthaus Vienna Large" for the positioning tracks, but another room (e.g. "Amsterdam Concertgebouw") to add the tail?

Seems like I still have to learn a lot about AV, but don´t I get unreal results, if I mix the reverb of a different room to the position of another?

Thanks for your help!
Felix

In the Altiverb orch positioning video that's what they do - they use the big hall for its wide stage positioning and then the tail from Mechanics Hall (actually I forget which hall but another one).

So they do mix and match - I was a bit suprised, but like you suggest - if it sounds good.......

Just as an orchestra is seated across a varied spectrum of width and depth on a stage, so can the user simulate that seating with corresponding widths and depths which in turn impact of the believability of the early reflections. This goes a little beyond mere panning and impacts how these various positions (ie: various early reflections) behave within the reverb tail once its added. The results can be quite effective.

thanks, hetoreyn.

Programming reverbs can be as involved as entering all other data. It's certainly not something to be underestimated in terms of time.

On the positive side is that once the initial settings are made they become a benchmark for other projects using the same template. Of course, it is quite nice to build a "library" of pre-delays and reflections for a variety of purposes. It's also nice to have a diversity of reverbs to choose from, depending upon the desired reults.

Altiverb is but one way, and thank goodness it's there along with lots of other options.

I'll look forward to your Teldex reports.

Cheers.