Thanks Paul

I'm a hobbyist, I only use my VSL products from my home PC, everything currently works fine. I am unlikely to buy additional products for the foreseeable future.

Do I have to change to iLok. Just got my invitational email. which seems to suggest I don't have to swap;

"Continued Usage of eLicenser

eLicenser authorized software and library products will keep on working on existing systems. The Vienna Protection Plan will continue to be active for the rest of its term. You can use your eLicenser licenses as long as you like, and as long as the eLicenser Control Center and the latest available eLicenser compatible VSL Software and libraries are running on your operating system."

Thanks Andi, couldn't see it for looking!

I have a VSL organ player in my orchestral setup. How do I get it to react to dynamics and hairpins etc. I'm guessing there's a setting within the organ player but I can't find it.

Thanks

I need my choir to sing the latin mass. I am a long time VSL supporter. I have never strayed into other sample librairies.

Is there any chance VSL may produce a choir library with a word builder type app included? or is it never gonna happen?

If it's never gonna happen what recomendations are there for big choral librairies with a word builder that integrate well with VSL orchestral librairies and VEPro and with Sibelius driving the performance?

Thanks for your time.

Hi Andi,

So I have used Vienna ensemble service 6.5.18955 which allows me to load 8 VO players. I have 8 staves in the score and I am trying to link each stave to a seperate VO player. Each VO player is assigned to midi in 1 chanels 1 to 8 and in sibelius mixer each stave is assigned accordingly. When I click the keyboards of each of the VO players I hear the organ. But when I play the 8 staves in sibelius I only hear the 1st stave not the other 7. I also notice that no VO player appears on the MIR stage.

I have a screenshot but cannot paste it into this post as it says I exceed the character limit.

Thanks Andy, duly purchased.

I can add as many organ players as I like as devices but when I try to insert the organ player into VEPro 6 I get the following error message: "Toolkit: Vienna Organ Player (could not create plugin)"

Thanks Andi, is there a manual which shows how the organ player works with sibelius? Does it appear as an 'available device' in playback devices? And does it work with VEP6 or only 7?

How does the Great Reiger Organ and the Organ Player work with Sibelius? Can I connect the two and control all paremeters from Sibelius?

VSL for me has been a single project for the last 11 years and creating a virtual performance of Kaikhosru Sorabji's monumental Symphony no 2 'Jami'. Jami being a Persian poet one of whose poems is set for solo baritone in the fourth movement. It has been created using Sibelius and the Symphonic Cube (so pre sycnhronised and big bang librarys).

This link is to the playlist in youtube hosting the four movements: https://www.youtube.com/...bP4mc4W1ViMVfesmZLsWYwrd

Each video includes commentary on the music and in the 2 hour 3rd movement a description of how the performance was created and liberal quotes from Sorabji's ascerbic and thought provoking pen. The description of each video also contains links to .flac files hosted in dropbox if you want to download the uncompressed audio.

The timings are 1st Mvt 01:34:00, 2nd Mvt 23:40, 3rd Mvt 02:03:45, 4th Mvt 44:17, total playing time 5hrs 25mins.

The orchestration is 2+4+alt flt, 4+1+bss obo, 2Eflat clt+4+1+cbs clt, 4+1+cbs sar/8 6 4 4/4tym 6prc 4hrp pno org/bar SSAATTB.

If you are reluctant to dip your to in the ocean try the short 2nd Mvt scherzo: https://www.youtube.com/...rd&index=2&t=26s

The baritone soloist in the 4th movement is actually VSL's tenor soloist as the part is very high and I preferred the sound. He can of course only sing 'ahh' but the accompanying video has the lyrics.

The music is extraordinarily complex but entirely tonal and approachable - closest sound world would be Symanowski/Busoni. Sorabji's orchestral music is very different to his piano music.

(reposted from wrong forum)

Hi folks, some people may be interested in my ongoing project to complete a virtual performance of Sorabji's gargantuan "Jami" symphony. I have completed a new performance of the 2nd movement which I subtitle "Baroque Scherzo Fantatsique" - it comes in at 23:30 and is full of amazing invention.

https://youtu.be/SyiCZNsd74E

As ever it is made only with Sibelius and the Vienna Symphonic Cube utilising the VE and MIR pro.

I can now start the final 4th movement which I hope to finish by the end of the year. The 1st three completed movements run for 4 hrs 2 minutes and I'm expecting the final movement to be around 45 minutes.

All the performances can be found on my youtube channel.

Hi folks, some people may be interested in my ongoing project to complete a virtual performance of Sorabji's gargantuan "Jami" symphony. I have completed a new performance of the 2nd movement which I subtitle "Baroque Scherzo Fantatsique" - it comes in at 23:30 and is full of amazing invention.

https://youtu.be/SyiCZNsd74E

As ever it is made only with Sibelius and the Vienna Symphonic Cube utilising the VE and MIR pro.

I can now start the final 4th movement which I hope to finish by the end of the year. The 1st three completed movements run for 4 hrs 2 minutes and I'm expecting the final movement to be around 45 minutes.

All the performances can be found on my youtube channel.

Hi all,

what is the range of the solo singers please?

Cheers

Hi lunar,

The Jami symphony is one long fantasy, especially the 1st and 3rd movements. There are no 'forms' to hang on to and that is very daunting. Sorabji wrote a lot of such pieces and they consist of a number of melodic/harmonic/textural ideas, ranging from quite long to very short, which are usually laid out early in the work and then ruthlessly developed alone and in every combination. The bigger the work the more of these ideas there are. In several works he actually identifies and numbers these ideas which can reach 30+. Sadly he didn't in the Jami although with familiarity many can be identified. And familiarity is key. Like so much great art, there is reward in study (although that sounds too academic). The more you put in, the more you get out.

The greater part of sorabji's output however, does involve formal procedures particulary baroque forms such as the fugue and the passacaglia but inevitably taken to extreme. Any day now the 7CD studio recording of Sequentia Cyclica, his variations on the Dies Irae, will be released and is available to stream and download now. It is possibly his best work and not least because in it's 27 movements it covers every facet of his style including a number of 'character' pieces around some of his favourite composers. Many of the movements are 10-20 minutes and all stand alone as well. There's also a monster passacaglia (100 iterations) and a massive 6 part fugue so everything you could possibly want.

There's a Quote from Krol Roger in the Jami Symphony.

Thanks Dietz and Errikos and everyone for your encouraging comments.

At the moment only a facsimile of the manuscript is available from the Sorabji Archive for £50 which is very reasonable for 823 pages of A3 miniature score. A critical typeset edition is in preperation but some way off.

Sorabji knew Skryabin's music very well and praised it highly early in his career but soured to it later in life. There is section of the video from about 50 minutes which has a lot of quotes from Sorabji about his favourite composers inlcuding Mahler, Busoni, Medtner, Skryabin and Szymanowski.

Originally Posted by: agitato

His music sounds a lot like Messiaen to my naive ears, I wonder who influenced who.

Anand

Interesting point Anand - Sorabji's dates are 1892-1988 Messiaen's are 1908-1992. Sorabji will have known of Messiaen's music but it is very unlikely the other way round particularly as there were virtually no performances of Sorabji's music between 1930s and 1990s as a result of Sorabji placing a moratorium on performances. There are certain aspects of Sorabji's use of non-tonal consonance that may sound familiar to Messiaen but in this, Sorabji was influenced more by the likes of Szymanovski.

The complete performance is now on my YouTube channel and this inlcudes a commentary throughout the whole 2 hours+ with descriptions of the music as it progresses as well as information on and quotes from Sorabji and some technical details about how the performance was created.

The link is: https://youtu.be/WEgNozDWagU

Thanks William & Paolo.

The instruments used were nearly all of them! But to be precise;

Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn 1, Hecklephone, Clarinet Eb, Clarinet Full, Clarinet, Bass Clarinet,  Bassoon, Bassoon 2, Contra Bassoon.

Horn Triple, Horn Stopped, Trumpet C, Trumpet C muted, Tenor Trombone, Bass Trombone, Tenor Trombone mute A, Tuba, Contrabass Tuba, Tuba muted.

Vienna Choir (fortunately the chorus is wordless throughout)

Solo Violin, Orchestral Violins, Orchestral Violas, Orchestral Celli, Orchestral Bassi, Chamber violins, Chamber Violas, Chamber Celli, Chamber Bassi, Harp 1

Bosendorfer Imperial, KH Organ, Celesta, Glockenspiel, Xylophone, Marimba, Gongs

Timpani A, Bass Drum, Snare Drums a4, Field Drum A, Castanets, Tambourines A-D, Triangles A-D, Cymbal A, Cymbal D, Tam - Series A+B.

The total loaded in RAM is 30GBs. I have 145 channels across 22 VEs. I use the Vienna Konzerthaus GrosserSal Stage with two microphones.

I'm lucky to have a monster PC which copes easily. Even at full pelt CPU usage doesn't get above 60% and CPU temperature just over 50 degrees.

Sorabji wrote a few other orchestral works and 11 piano concertos. The only orchestral piece performed live is his 5th Piano concerto which is for failry normal forces and is available on CD. It's a much earlier work than the 'Jami' Symphony and less approachable (he mellowed with age).

There is one even bigger work his 'Messa Alta Sinfonica' possible 30 minutes longer, similar orchestral and choral forces but also 8 vocal soloists.

I've been plugging away for years on a realisation of Sorabji's 2nd Symphony 'Jami' and have reached a milestone at the completion of the whole of the 3rd movement. This movement is a continuous stretch of music lasting just over 2 hours. The whole of the symphony is likely to come in at over 4.5 hours.

The performance is created using Sibelius and the symphonic cube with VEpro 6 and MIR, no keyboard just a plethora of midi instructions and bastardisation of the notation to make it sound half decent.

The orchestration is six of each wind, 8, 6, 4, 2 brass, a double size string section able to split into 30 parts, two sets of timpani, fairly standard tuned and untuned percussion, 2 harps, celesta, piano and organ and as massive a chorus as you can get able to split into 32 parts. There is also a Baritone solo in the last movement but he doesn't appear in the 3rd.

[complete performance now available - https://youtu.be/WEgNozDWagU ]

You can also read some disriptionof the music on my blog should you be so inclined.

I will release the whole movement over the next few months but realise that is a lot for most people to chew.

The music is often beautiful and wonderous and always extraordinary.

Constructive criticism of the production welcome.

If your curiosity about Sorabji has been tickled you can visit his official website here.

What midi message do I use in sibelius to turn an instruments (percussion) release sample on and off?

I installed the update for VEPro6 and incurred frequent and lengthy dropouts from various instruments. I uninstalled and reinstalled but still the same thing so I have rolled back to earlier version and it's working fine.

What gives?

I know you can embed midi data in a score to adjust individual instruments master volume (usually CC7). I have full orchestra and chorus. 120 individual instruments (staves) grouped into folders for each main group (wood wind, brass etc etc) and then sub folders for each sub group (flutes, oboes, sopranos, chamber violins etc etc). I can adjust the master volume of the folders/subfolders in VEpro but can I embed midi data in the score to adjust the folder/sub-folder volume levels during performance/playback?

The optimizing manual says for orchestral strings to use instriments with "[VSL Orchestral Strings]" at the end.

My list of available instruments only includes this option for Violin 1 and not Violin 2, Viola, Cellos or Doublebasses!

What gives?

Hi Andi,

I shall try to do a clean reinstall of the roompacks. I have two roompacks the Vienna Konzerthaus and the Studios & Soundstages. In my software installer area I have these:

The date for these is 2013 are these the correct files to download?

When I have tried this before I have been getting this message:

but I have never received an activation code for the new licence.

The only license in my eL c is:

you said the installation path is C:\ProgramData\VSL\Vienna MIR - did you mean C:\Program Files\VSL\Vienna MIR? My C drive doesn't have a ProgramData folder:

My program Files folder has these subfolders:

Thanks

Hi Andi, sorry yes things had progressed but are still not resolved. But I'll try some more and come back if I need to.

.