I certainly checked that. I loaded my templates from years ago. And they all worked back in 2016.

But the Native Version on M1/2 has problems with supporting multiple ports.

Or is anyone here with a working system? (Logic 10.7.9 and VE Pro7 on one machine with Ventura?)

Paul vom Support meint, AU3 wird hoffentlich die Lösung des Problems sein.

Hello ,

I tried desperately to connect to anything else than Port 1 Channel 1.

When I set the Instrument in VEP to Port1/Channel one, I can hear the Instrument . Anything else cannot be heard. I see that VEP7 still is receiving Midi, but there is not sound.

Im on a Mac Studio M1 with Ventura 13.2.1 and Logic 10.7.9. VEP(native) and Logic are running on the same machine.

I downloaded the Logic Port Presets (2015) from the VSL Server. Do they still work?

What is going wrong here?

I was out of the VSL Game for some years and try to get back to the actual status quo and I´m a little bit confused.

I´m on Ventura on a Studio Max now. My plan was to do everything on one machine.

Coming from the VeProSetup, that I used back in 2013-2015 on a second machine (Windows7), I wonder what is the best solution now.

- Should i use my MacPro 2010 as a Slave now? Does it work with my old Mac on Mojave and the Studio Max on Ventura?

- Should I do all on my Studio max now? With Rosetta, native whatever? How fast will there be a limit, when VEPro is not native? 

- Is my old MIR-Engine still useful? I prefer working with VI-Pro. Is this obsolete now?

- Do I need Mir Pro 3d, if I want just to work in Stereo? Are there sound improvements?

Sorry, for being lost. What would you suggest as the best solution.  I want to work with my whole Orchestra on demand again: Symphonic Cube, Dimension-Strings and Brass. 

Hello Paul,

while loading my template on my PC (Slave) VEP6 freezes at 29%.

I'm running VEP6 with a Master-Mac (10.9.5) and Slave PC (Win7/SP1).

The former version VEP5 was loading everything without problems. 

I installed VEP6 on both machines and updated VI-Pro on PC.

I even updates eLicense on both machines.

Starting from scratch works. But loading old projects does not work

Did I forget anything? Why doesn't it continue? 

By the way: there are mostly VSL-Instruments in my templates. I use four instances for strings, woodwinds, percussions and brass. In the first instance there is  Kontakt with Cinematic-Strings 2.0 as well. Is the non-VSL-content the problem?

I hope, I don't have to rebuild all my templates for VEP6 

 all the best,

Martin

Congratiulations and Thank You VSL!

Here is a demo of music i was writing for a computer-game. Its mostly made with Apassionata with Dimension-Violins on top. But there are also some Orchestralstrings involved. Maybe im going to add Dimension Cellos next week.

https://soundcloud.com/martin-gerke/map-italy

Here is a demo of music i was writing for a computer-game. Its mostly made with Apassionata with Dimension-Violins on top. But there are also some Orchestralstrings involved. Maybe im going to add Dimension Cellos next week.

Hallo, ja, ich! Hab Dir schon eine mail geschrieben.

After Installing the new Versions of VI Pro and VEP5 i cant see the VI Pro Interface in the VEP anymore. When i installed the newest Versions it said, that there are no VIs in the VEP anymore. Do i have to reconstruct all VI-Instruments in Logic now? And how do i use the MIR now?

Compared to several arrogant postings here, i'm calm.

It is obvious that the examples you posted sound much better, but they are not programmed with simple matrices.
And i think there is more work in it than one or two days.
The workshops task was to show a beginner what he should try first, before he uses big setups.
The example for experts with much more technical effort wil be released in one of the next issues.
The solo could have a little bit more of "esprit", i concede. But you are much more limited with articulations on the stradivari.

Its not pedagogicaly clever to begin a workshop about a new product with very complicated tricks, so be patient.

After Reinstalling Plogue Bidule and switching from a hardware-midi-interface to Midi-over-LAN the clicks are gone. Is there a special reason for not being errorfree with hardware-midi-interfaces?

The workshop in sound&recording about garritan&vienna instruments was written for an easy approach to the complexity of Vienna instruments: the author wanted to explain the principles of building simple matrices without overextending the interested reader.
The workshop was not for super-experts with undiscussible knowledge of taste
Would be more interesting to read, what in the demo was not good in your opinion, than to play the Pro-Composer in Internetforums, who is not reliant on writing reviews.
Try to do it better and post it.

a musical moron

Hello Forum,

i just set up my VI-Instruments. They are distributed to three machines:

The first machine is a PPC G5 2x2Ghz with 4GB RAM. The Strings and Percussion VIs run on Logic feeding a RME Hammerfall. Everything works fine on this machine.

The second computer is a PC 3.2 Ghz wit 2GB RAM a RME-Multiface and Plogue Bidule. All Woodwinds are streamed from fast USB2- Harddisks.
There are no dropouts.

The third machine is a laptop. It is a Futjitsu Siemens Amilo 1425 (1.7 Ghz) with 1 GB RAM and a Multiface via PCMCIA-Cardbus. All Brasssounds are played with Plogue Bidule here from a fast USB2-Harddisk.
The third machine produces dropouts and clicks. Machine number two has nearly the same conditions. What makes the difference here? Especially solo-legatosounds (horn, trumpet) tend to have more dropouts than other sounds. That makes no sense for me?!
The defragmented USB2 Disk is directly connected to the computer. The Vienna-Key is plugged into a usb hub. The Win-XP System is installed very slim: just the audio-drivers, Plogue Bidule and VI. thats all.
Would a firewiredisk make a big difference?