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1.Dimension Strings CELLOS are ready for you!! 6/25/2013 4:47:47 PM

Will there also be an overview video?!

thanks

Marco

2.Hanging notes with Vepro Multiport Layer Fixed 2/16/2012 1:53:31 PM
jaumepardalito wrote:

Any news????

Yes, please! I'm having the same problem. Can't work any longer with VE Pro 5 at the moment due to that hanging notes prob. Need a fix real soon!

Thanks
Marco 

3.A lot of love for MIR Pro & Vienna team 1/27/2012 11:11:04 AM

+1000 from me, too!

MIR Pro is just mega awesome and the quality of the VSL libraries is really outstanding. If own almost every common library from other vendors, too and almost all of them have lots of issues and I'm wondering how most of them could have ever passed any quality gate. Lots of programming, bad samples and/or tuning issues. When I buy a VSL lib I can be almost 100% sure that I get supreme quality.

Thanks a lot for that!

Marco

4.UPDATE: VE PRO 5.0.10068 1/24/2012 6:36:02 PM

Great update, guys!!!

The new Logic environment is awesome and a great timesaver!

Marco

5.MIR - worth the money? 1/7/2012 6:43:13 PM
goran_tsch wrote:

In a nutshell: you better believe its worth the money.

+1 - best investment I've done during the last few years!

Marco

6.How VSL treat their customers! 1/7/2012 8:56:20 AM
andyjh wrote:

 Perhaps I can make a suggestion for VSL to consider.  They could introduce a kind of license protection scheme.

If a solution is to buy a new key every two years at €24 (€12 per year), then maybe a system could be introduced that allows users to pay €10 per year to VSL to be part of the scheme that would replace any lost licenses and key free of all costs to the user (faulty key only - would have to exclude lost/stolen keys).

If VSL had a thousand users take this up, that would give them a fund of €10,000.  Assuming the keys don't fail that often, this may or may not be enough funds,  so if this principle is good, VSL would know how many faulty keys they see each year, and would know what fund they would need to cover this. 

Think of it more, as all the users getting together to contribute towards each others license replacements.

I would be would be quite happy to pay €10 per year for this security, although VSL are the only people that could come up with a workable figure.    

I think this is a great idea! I would happily spend 10 or 20 EUR per year for such kind of insurance/protection! I wouldn't be able to afford any of the above mentioned handling fees for all of my Vienna licenses if my key gets broken/damaged. I really wasn't aware of that danger and it makes me re-think any further investments in VSL stuff, too - so your suggestion is really good!

So here's my voice, too: Vienna - please consider such kind of insurance fee!

Marco

7.First song mixed in MIR Pro 1/6/2012 5:08:58 PM

Dietz: Thanks! I see...

Marco

8.First song mixed in MIR Pro 1/6/2012 1:30:23 PM

Thanks a lot! Much appreciated!

Marco

9.Cannot Get MIR working in Logic Pro 9 1/3/2012 8:15:01 AM

Hi,

first of all: Is there any special reason you are running the 32-Bit instead of the 64-bit VEP5 server? You should consider running Logic and the VEP5 server in 64-bit to access all your available RAM.

Second: In your setup I don't see any reason to instantiate that "Audio Event Input thing" at all at the moment. You should be fine with your instantiated VEP5 server on the multitimbral channel(s). In this case you don't need that I/O utility thingy either.

Running one VEP5 instance should make your setup a bit clearer. The reason your Harp isn't playing on channel 3: I suppose you set the channel to 3 in VEP5 but you probably forgot to set the channel to 3 in your actual Kontakt instance itself (in the interface where you are also able to play the Harp directly on the interface-keyboard) ;)

Marco

10.First song mixed in MIR Pro 1/2/2012 1:18:59 PM

Thank you very much, Dietz! Your words mean very much to me!

And thanks for your suggestions! Okay, the low frequencies - guess I'd know what to do (Guess it's my little home studio room that has some bad low frequency response and low freqs are getting annoying very quickly so I tend to mix with little lows - have to use my new headphones a bit more, I guess ;) )  but do you have any tips how to get the instruments more separated? (Use of EQ to give them their "isolated" frequency range? Or something that can be done in MIR Pro spatial wise?)

The original WAV file is a bit better, though. Soundcloud's MP3 compression is well known one of the worst out there ;)

Marco

11.First song mixed in MIR Pro 1/2/2012 12:07:27 PM

Hi guys,

this is my first song that I did using MIR Pro and the Teldex Wide venue (almost all instruments except of Percussions are VSL, too) - Final reverb was QL Spaces.

http://soundcloud.com/soundrepository/epic-cinematic-trailer-xxl

Enjoy ;)

Marco

12.Any ETA for a new VE Pro / MIR Pro update?! 12/28/2011 2:42:51 PM

Thanks, Dietz! Looking forward to it! Smile

13.Any ETA for a new VE Pro / MIR Pro update?! 12/28/2011 11:01:18 AM

Dear folks at Vienna,

any news about the coming update for VE Pro / MIR Pro? My reported bug with the permanent crashing of VE Pro under certain circumstances when I widen the stereo width of an instrument close to the mic in the Teldex venue (not the wide one) is really getting pretty annoying for me (as this venue is my absolute favourite one). The developer told me he found and fixed the bug and the fix will be available with the next update. So any ETA when this update will be available...?!

Thanks a lot!

Marco

14.Auugh. Request for change 12/26/2011 10:10:23 AM
Dietz wrote:

If you're in VE Pro 5, there's Undo for most everything - actually it should do the trick. :-)

Yes, that's what I usually use when I have accidentally deleted the whole instance - not the cell. But nevertheless it´s very non-intuitive if you "operate" on a smaller unit (cell) and the delete key deletes the superordinate unit (whole instance) - I´m happy that the delete key doesn´t delete the whole Vienna Ensemble instance :). Would definitely love to see deleting the cell with the delete key as an option at least. Just because it happens more often that you want to delete a cell than to delete an instance!

Thanks,

Marco

15.Auugh. Request for change 12/26/2011 9:48:50 AM

You are speaking of Vienna Instruments Pro (2) within Vienna Ensemble (Pro), right?! Yeah, that happens to me regularly, too. I, too, wish the delete key would delete the cell, not the whole instance of VIP...

Marco

16.New VSL user - what to get next 12/25/2011 10:32:58 AM
dpasdernick2 wrote:

Windsurfer,

$250 is not a lot of money in Vienna's world but you get what you pay for. I recently bought the VI Pro 2 player and it is , hands down, the best purchase you could make if you own any VSL libraries. I am having an amazing time making huge layered patches with it. It is a must have as far as I am concerned. I also bought Fanfare trumpets which is a fantastic sound set. To me VSL has always been the Rolls Royce of sample libraries and their new software additions only affirm that these guys are at the top of their game.

Happy Hunting,

Darren

+1 !!! I can´t imagine doing stuff without VI Pro (2)! Opens you a new world!

Marco

17.My First posted song 12/19/2011 8:13:21 AM

Hi,

I´m a big fan of that kind of "minimalist" type of Hans Zimmer inspired music and I really liked your piece ;)

Marco

18.Your way of working with VSL instruments 12/18/2011 3:45:58 PM

Thanks a lot, Beat.

Keeping the raw/frozen audio channels/files is a good idea ;)

I totally love your Mozart piece - the use of the different articulations is awesome. 

Marco

19.Your way of working with VSL instruments 12/18/2011 1:21:21 PM

Thanks a lot for your answer! Much appreciated. Smile

Marco

20.Your way of working with VSL instruments 12/18/2011 8:13:13 AM

--bump--

so all you other guys here aren´t using Vienna instruments at all, right?! Big SmileStick out tongueConfused

Thanks

Marco

21.vienna instruments pro 2 included sequencer patterns? 12/16/2011 4:22:01 AM

Hi,

pre-made sequences come with the library updates of your instruments. You can download them in your user area. For Epic Orchestra there is no library update, though (too small - Paul told me via email some days ago when I asked for this). So when you buy any other Vienna instrument libraries (and register them in case of DVD instruments) you´ll get the chance to download those library updates which also include a lot of pre-made sequences. (not sure, if this is the case for all instruments but for my strings, dimension brass and woodwinds I got sequences).

Marco

22.Logic and a few templates with VEpro and Mir pro 12/15/2011 2:07:32 PM
ralf wrote:

To make things short: I don't know what is right or wrong any more, a feeling that I lost the grip for workflow.

Hi Ralf,

there is basically no "right" or "wrong" If something sounds good to you - it is good! ;) I know that so many different options are often confusing - but they also mean total freedom & place for creativity.

Marco

23.Going mad...MIR pro? 12/14/2011 3:49:39 PM

You´re welcome ;)

Marco

24.Going mad...MIR pro? 12/14/2011 4:52:04 AM

Hi,

I´m using a Mac Pro 8 core @2.26 GHz with 24 GB RAM and I´ve just bought Vienna Ensemble 5 with MIR Pro and from what I experienced so far it runs very well on my machine and I don´t see a reason to get a slave for it. I haven´t had the time to use it with a bigger template because I just don´t have one yet :) I´m in the process of building my first serious template at the moment and I also use Spitfire Percussion + Harp as my main orchestral percussion and Harp and Cinebrass (incl. Pro) as my main brass. I´ve tried using LASS in my template, too, but I decided to go the Vienna way for strings and bought VSL Solo, Chamber and Appassionata Strings incl. Extended recently and I totally love their sound. Woodwinds are VSL, too. My first impression when using other libs that have a room "baked" in like Cinebrass or Spitfire in MIR Pro: It works very well. I have their stereo widths in MIR Pro on the widest possible position to leave as much of their original panning intact and play with the distance to the mic at the moment (the closer to the mic the wider their original stereo field) and I play with the amount of MIR room for those libs - I´m still experimenting a lot but my first impression: it´s an awesome tool to blend different libs together. 

In VE 5 Pro I decided to put the MIR room sound on a separate bus as well as the enhancing MIRacle reverb that comes with VE 5 Pro. So I'm able to specifiy MIR room and reverb for each instrument/lib seperately and thus give libs that have already some room baked in a little less MIR room. I tried to use the dry mic setting in Cinebrass and Spitfire, too, but finally decided to leave their complete original room/hall signal intact and just gave them some less MIR room.

I can only recommend getting the VE 5 Pro/MIR Pro demo and try it - it´s no rocket science and I was able to get along with it in about 4-5 hours or so.

Marco

25.Your way of working with VSL instruments 12/7/2011 6:26:02 PM
corte1 wrote:

Thanks for the kind words Marcos. Actually, the only string library (besides Solo Strings) I have at the moment are the standard and extended Appassionatas. So, every demo on my site that uses strings are the Appassionatas.

You´re welcome! ;) Cool - seems I have to get the Appassionatas, too ;)

Marco

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