Hey guys,

One new thing I noticed, when I update the cubase version, I have to create a new template on VEP as well as on cubase for it to work for the above issue where the midi is sent out from cubase but isn't received by VEP if Mir pro is on. But when I re created the template from scratch and saved it in both the softwares, it starts working as it should and is good to go. Is this something you all have to do or am I doing something wrong? It was not the case with vep6 afaik because while I was using cubase 9 I had upgraded to 9.5 and didn't have to create a new template.

Please let me know what you think?
( saving grace is that I have save channel sets in VEP so it's not a total nightmare but is still a lot of work to do 300 Odd channels every time)

Thanks a bunch

Hi Dietz,

 

Its Set to 2048 samples. It is not networked, everything is on the same machine. all the settings are currently normal, which is why its a bit baffling .

 

Thanks and Regards

Neelesh

Hi Dietz,

 

Thank you for your reply. That option is not selected in cubase. the thing that is troubling me is that when I turn off MIR Pro in VEP, the template functions as it should.

 

Thanks again

Hello All,

 

This is a new issue I have been facing from the past week or so. I recently updated my system to Cubase 11 inside of High Sierra. I am running the latest VEP 7 and MIR Pro. It was working pretty well till recently ,now it has no audio output nor midi input into VEP.  I had read somewhere that I should disconnect and reconnect the instance and stop/ start the audio engine. even after doing that there is no proper functionality when MIR Pro is in the template. If and when I remove MIR Pro from the VEP Server project and reconnect it to Cubase, there is proper functionality of everything and I get sound. Is there something Im missing ? 

I am on High Sierra and Cubase 11 pro , VEP 7 and MIR Pro

 

Thanks a lot for all the help in the forum

Hi Paul,

Thanks a lot for your reply. Am attaching the mp3 here and will send it to email as well.

Hi All,

I just bought the Synchron Strings Pro crossgrade and installed it. I am running Synchron player in Logic and have loaded up the factory patches. When I am playing notes on the long articulations I am getting this very evident and strong Flanging / Phasing effect especially on legato patches. This is not happening in the Synchron 1 set. 

I have tried switching on and off the reverb, also soloed the different mic and checked different combinations, also tried to delete and reinstall the library after downloading it again, also reinstalled the synchron player, yet this issue is still present.

Please guide as to what might be happening ?

 

Thanks and regards

Neelesh

Hello all,

This might be a slightly trivial question, but when I had initially bought VEP6 and Mir Pro and started it with my server project I used to get the cool Mir Pro channel initialization animation. After upgrading to VEP7 I only get to see the mixer page while initializing and then I can switch to Mir Pro view but this way am not able to see the cool animation. Is there a way in the settings to keep my mir pro view at the start and get the animation ?


Thanks and regards
Neelesh

 

 

 

Thanks Crusoe and everyne else for their suggestions. I do notice that issue with the keyswitches, so I usually keep them a few ticks etc before the change is supposed to hit.... maybe I am missing it out and keeping it really close to the notes in the sections that i feel arent that great, ill check that and see how it turns out to be... 

 

thanks a lot again everyone

cheers

Hi Jasensmith,

I do use the fader controls, use a lot of them Infact including humanise functions, vel xf, slot xf, expression, also use note velocity for staccatos and short notes etc. Standard programming skills are fine for me i think.

I have not used the optimise learn feature. I feel it is maybe unnecessary because I use the load upon activity option in my template for vsl samples. Maybe I am wrong and i should use the optimise function tok, will try next time.

My main issues comes for any kind of bounce. I usually do bounce all stems at once from the track export in Cubase. And also i bounce the stereo mix from the template as a separate bounce. I hear the music one way and very natural while in the daw, and once i export and listen back to the audio it seems a bit less natural and slightly programmed and robotic. I am a bit unsure what it is i am doing different / wrong. Also I can't really show any example of this weird issue.


Any tips?


Thanks and regards
Neelesh

Hello All,

I am sorry if this is a very basic question and has been asked here before. I use keyswitching in my templates. While I do production and program using products from Vienna cube, I feel they sound perfect and very natural. But when i bounce down stems or do a stereo bounce ( I do offline bouncing mainly) i feel the sound changes and the performance feels less natural. I use VI pro and Vienna ensemble ( non pro) and cu ase 9.5.

Are there any guidelines for me to follow before the stemming or exporting process?

Thanks everyone.

Hello everyone,

I might be re iterating something which has already been discussed earlier, but I haven't found any particularly good solution for this yet. I am hosting multiple instances of Vienna instruments pro on Vienna ensemble for a large. Orchestral template of around 100 tracks. Have separated shorts and longs etc etc...

I have understood how the remote app talks to various slave machines etc, but I notice that the application doesn't update the change to a new instrument until i go to the Vienna ensemble and click on the control me option on the VI instance that I want to control. This in turn kind of increases the number of steps involved and is having me take longer time than using keyswitches.

Is there any way i can do this better?

Is there any success for anyone alternatively using lemur for doing this? I really am looking to get touch screen working for my articulation changes etc for my vsl samples.

Thanks and regards
Neelesh

Thanks Paul!!

Is the link for the Violin 2 active yet? I dont seem to find it in myvsl..

 

Cheers

Hello Paul,

 Thanks for ths, was eagerly waiting!! 

Cheers

Neelesh

Thank you !! Its working great now! Cheers

Hello All,

I just got myself Vienna Instruments Pro. I had Vienna Instruments free player and Vienna Ensemble before, and I painstakingly made my template using those. Is there any way now to transfer all those patches and settings into VI Pro without dooing the process all over again??

 

Thanks 

Hey guys,

I just bought the vienna symphonic cube and apassionata strings. I am having a tough time in balancing the template and balancing the panning of the orchestra, my template is becoming a bit heavy on the left side mostly due to the panning of Appasionata Violins to the left, but reducing the gain makes it unbalanced WRT the volume balance. I have been going through all the online resources etc(including Beat Kauffman), but I hope to get some guidance on this topic and what are the general practices that all of you guys are taking for getting that balance.

 

Any knowledge share would be greatly apppreciated! :)

Hello all,

I am new to VSL and its software. I have been making a template in cubase pro 9 using VE (not pro yet) and VI hosted on my main computer. I have used rack instrument and been using 16 channels per instance for VE. I have used separate instances for each instrument group and have named all channels accordingly and instances accordingly. I have also saved VE instances as per the instrument groups for example woodwinds.viframe64 . When i close the cubase project and reopen it, the template is loading fine, with all routings in place, but when I access VE server it only shows Vienna Ensemble 5.4.15962 (64 Bit) (connected localhost) for all instances and it is quite difficult to re-write all the instance names each time. How do i solve this ?

Thanks in advance

Neelesh