Vienna Instruments Collection
Standard Lib. + Extended Lib. = Full Library
When you start with the Standard Library („Stereo Library Download“), you may easily upgrade to the Full Library („Multi Library Download“) at any time – you’ll only pay for the Extended Library portion of the product. You’ll receive the respective licenses (Activation Codes) and may download the Full Library („Multi Library Download“) right away from MyVSL.
Synchron Timpani I features the five Adams Artist Alpha timpani (20", 23", 26", 29", and 32") of the Synchron Percussion I Collection.
The sound of these top quality instruments blends perfectly with other orchestral instrument groups. Consider the long history of timpani employed in support of majestic brass fanfares, or the combination of tremolo strings over a foundation of timpani rolls that creates a powerful dramatic tension.
All instruments were recorded using 12 microphones. You may select from four microphone positions (Standard Library) or seven different microphone positions (Full Library) and mix them to your liking, directly in the Vienna Instruments and Vienna Instruments Pro players or using our mixing hosts Vienna Ensemble and Vienna Ensemble Pro. Use the included and perfectly fine-tuned presets as a starting point for your own sonic creations. The performances in Stage A were captured in stereo using a Decca tree, and additional microphone arrays were utilized for 5.1 surround and Auro 3D 9.1.
Microphone Positions of the Full Library:
Standard Library includes positions 1-4.
Our team worked meticulously during more than thirty three-hour recording sessions in order to capture the five timpani in every subtle detail. This was only made possible by our owning, storing and recording these instruments at our own scoring stage – Synchron Stage Vienna. The natural volume envelopes and the sonic character of the instruments remained untouched during recording and editing. Using Vienna Instruments or the Vienna Instruments Pro player, as well as the mixing hosts Vienna Ensemble or Vienna Ensemble Pro, you may shape your individual sound and select your ideal ambience from various microphone positions.
The instruments were recorded at Stage A of our Synchron Stage Vienna. This 540 m2 (5,813 sq.ft.) hall has proven to be a remarkable space, not only for film music recordings, but also for sampling sessions. It is characterized by a lush and warm sound and a perfect localization of the instruments, with a reverb time of 1.6 to 1.8 seconds, and with no masking effect in the low frequencies, as often happens with large halls. The colossal room-in-room construction, built upon a massive concrete foundation, combined with sound insulation and a specially designed air conditioning system, results in a ridiculously low noise-floor of 16 dBA, even with the air conditioner running!
We’ve recorded five different sizes of timpani (20", 23", 26", 29", and 32"), over the maximum playable range (all together approximately two octaves) – which means that you may choose from up to three different timpani to achieve any given pitch. Sixteen velocity levels were captured in four “open” variants, with additional “secco” (stopped release of a hit) and “coperto” (damped membrane) articulations adding up to a staggering 128 different single hits per pitch and per timpani.
Rolls: We’ve captured rolls in 16 velocities as well as various dynamics, such as crescendos and diminuendos, in four different lengths. Thanks to our new release sample technology, even crescendo and diminuendo rolls may be stopped at any time, with the perfectly matching release sample being triggered.
Glissandos: Single-stroke glissandos were recorded up to a major sixth interval, at three different speeds.
Glissando Rolls: The single-stroke glissandos are topped by so-called Performance Interval Rolls that enable true legato playing up to a fifth, over the complete range of each timpani. Of course these rolls are based on our new release sample technology, so you can play them for any length of time.
Auro 3D is an immersive audio technology that allows for three-dimensional sound perception. The Belgian company Auro Technologies developed this technology based on a special speaker configuration, adding four additional speakers to a 5.1 surround configuration. These speakers (so-called “Heights”) are situated above the front and surround speakers and generate acoustic reflections that are perceived naturally due to the fact that sounds originate from around as well as from above the listener. Thanks to the comprehensive selection of discrete audio channels of Synchron Timpani I (Full Library) you may mix your instruments in Auro 3D as well as in Dolby Atmos.
|Standard Library||Full Library|
|Download File Size||19.1 GB||40.0 GB|
|Installed File Size||40.1 GB||79.9 GB|